Good to see Ex-Zeppelin and new Hamburg students take up the QM Counter Map:
From the QM collective interview:
What has been the reception to this project, as best you can tell. Have there been unexpected or unintended responses? Has it inspired kindred projects/mobilizations?
The reception has been good, and quite diverse. Some people like the map, some the game, and people stress different aspects of both. In general people really appreciate the fact that it looks very different from most activist and political material. A staff member at Queen Mary in the International Student Admissions Office asked for copies to help her explain to her British colleagues the issues faced by many international students. A presentation to a group of professors highlighted how little our own lecturers knew about the difficulties faced by their own international students.
The game has worked very well as a tool that forces people to discuss their own and others’ experiences of education and border crossings. We specifically designed it as a relational device to get the players to share their experiences and frustrations, and to imagine alternatives. The colourfulness and playfulness of the map has brightened up many a grey bureaucratic political meeting, and inspired others to invent similar tools of mapping, acting and organising in relation to other institutions. We’ve had requests for people to use our InDesign files for making their own maps (the ‘code’ of the map is open and free), and given workshops to other groups making their own maps of the university.
Meeting tomorrow morning (22nd) near Hamburg hafen:
During this meeting we will be focusing on counter mapping using a map project that John Hutnyk presented to us developed by Queen Mary University PhD students a couple of years ago. He has recommended us the following ‘literature’, which we would kindly ask you to prepare for Sunday in case you are interested in taking part.
Afterwards we are planning a small walk through the Hamburg Hafen with the focus on ‘contested spaces’ in order to link the breakfast session with Hamburg.
Go here to see this in action (on some browsers, not all).
Rustom Bharucha reports that the Progressive Writers Association has its origins, according to ‘its most distinguished founder- member Mulk Ray Anand’ in ‘the expatriate community of India students in London, who had charted their first manifesto as “progressive” writers in 1935 in a Chinese restaurant’ (Bharucha 1998:29)
Bharucha, Rustom 1998 In the Name of the Secular: Contemporary Cultural Activision in Inidia Delhi: Oxford UP
From the good folk at Minor Compositions, a project for hipsters, creatives and others with too much to lose (please share widely):
Surviving as a cultural or artistic worker in the city has never been easy. Creative workers find themselves celebrated as engines of economic growth, economic recovery and urban revitalization even as the conditions for our continued survival becomes more precarious. How can you make a living today in such a situation? That is, how to hold together the demands of paying the rent and bills while managing all the tasks necessary to support one’s practice? How to manage the tensions between creating spaces for creativity and imagination while working through the constraints posed by economic conditions?
In a more traditional workplace it is generally easy to distinguish between those who planned and managed the labor process and those who were involved in its executions: between the managers and the managed. For creative workers these distinctions become increasingly hard to make. Today the passionate and self-motivated labor of the artisan increasingly becomes the model for a self-disciplining, self-managed labor force that works harder, longer, and often for less pay precisely because of its attachment to some degree of personal fulfillment in forms of engaging work. And that ain’t no way to make a living, having to struggle three times as hard for just to have a sense of engagement in meaningful work.
This project sets out to investigate how cultural workers in the metropolis manage these competing tensions and demands. The goal is to bring together the dispersed knowledges and experiences of creative workers finding ways to make a living in the modern metropolis. And by doing that to create a space to learn from this common experiences that often are not experienced as such while we work away in different parts of the city.
Click on the pages to enlarge and read.
This Wednesday 1st Feb, 4pm G3 Laurie Grove Baths is the second Goldsmiths meeting of the Train & TubE Research Section (ahem, I am not really suggesting we call the group ‘tatters’! Its just that the abbreviation TRG also does not scan).
The following few things sent in may also be of interest:
The Olympics Premium (aka buying off the workers with Uncle Tory’s fast cash bribes):
Russian art group Voina have done the ‘lunch on the metro’ stunt too (you need to scroll down to the third image):
Also, in Belgium they are making the point somewhat more directly. This is the latest and most dramatic action on the Brussles Metro following an unpopular fare rise:
And a few things circulated from the UFSO: