Click these links or more below for recorded lectures or talks:
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Updates on lecture courses are here – latest are vids from online, so usually good sound quality, but the occasional glitch because, frankly, there are bugs in the platforms still to sort out, even when it works – Eg, google trans for tieng viet not available in captions – still – all stuff here in increasingly better organised order but frankly still higgledy-piggledy:
https://capitalnctu.wordpress.com/
The Youtube channel – playlists and uploads often in no particular order
https://www.youtube.com/channel/UC26f1nx7Xa7gakooPfT-Wqw/
On Gandhi and Marx for Tieng Viet
Mass Media and Culture Course 2021 (TDTU)
Sociology of Popular Culture Course 2021 (TDTU)
Lecture course on Anthropology 2021 (TDTU)
Critical Thinking Course 2020 & 2021 (TDTU)
Occasional and older talks form the days before pandemizoomotion…:
Dark Tourism East and Southeast Asia at ASA March 2021
International Conference on Education and the Social Sciences Istanbul Feb 6 2017
Marx Memorial Library On General Strike 12 June 2016
Mapping Exercises: Contexts for the Higher Education Workplace Istanbul Feb 2015
Culture Now in conversation with Antony Gormley at ICA feb 2013
Translating Capital – Subversive Festival, Zagreb (1st vid)
Quid pro Quo – Subversive Festival, Zagreb (2nd vid)
Pantomime Terror – inaugural Professorial Lecture 30.9.2008 Goldsmiths
Pantomime Terror MIA as Provocateur (Geissen Lecture): 21 Nov 2013
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Dark Tourism East and Southeast Asia at ASA 2021
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Translating Capital in context, politics, struggles
From Subversive Festival Zagreb, May 2014.
John Hutnyk: Translating Capital in context, politics, struggles
The School of Contemporary Humanities
moderator: Dunja Matić
the dedication, the prefaces, the first sentence, the tenth/eight chapter, the teaching factory, malignant and parasitic, etc…
[errata: New York Daily Tribune, not herald. Need to clarify that Commodities as title for chapter one in English is not as good as The Commodity. And I fudged the Horace and Dante quotes, was not rude enough about Zombie’s… but otherwise…]
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Quid pro Quo – Subversive Festival, Zagreb (2nd vid)
Is it possible to observe Marx coming round to realise, after the shaping experience of the 1848-1852 European uprisings, the possibilities for the many different workers of the world to unite? I consider the sources Marx finds available, what he reads, and how his writing practice parses critical support as habitual politics, and how far subcontinental events, themes and allegories are a presence in the key moves of his masterwork Capital almost as if India were a refocused bromide for Europe, just as slavery is for wages.
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There are lectures on Capital, but they need an edit (wealthy benefactor-fat-cat types are welcome to chip in so we can hire Tarek to cut them – c’mon, be your own aufhebung).
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Pantomime Terror Lecture 30.9.2008
This, here, for the gnawing criticism of the mice, is my inaugural Professorial lecture at Goldsmiths September 30 2008. Details: presented by Professor John Hutnyk of the Centre for Cultural Studies at Goldsmiths. Title: ‘Pantomime Terror: the paranoid commuter and the danger of music’. Introduced by Professor Geoffrey Crossick. Please note there is a missing part at 48;38 where there was a tape changeover. At this point its important to know I discussed the Fun^da^mental video DIY Cookbook, available here: http://dai.ly/aZeu7n and there is a bit of the discussion is missing, but covered in this blog post:https://hutnyk.wordpress.com/2007/05/12/cookbook-diy-video/ – sorry its complicated, but if you like the first 48 mins, then why not watch the short 3 min FDM vid, read the short blog, then return for the eccentric finale! Thanks heaps to Adela for filming this. http://wp.me/pcKI3-1gc
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Marx Memorial Library On General Strike 12 June 2016
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Mapping Exercises: Contexts for the Higher Education Workplace Istanbul Feb 2015
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International Conference on Education and the Social Sciences Istanbul Feb 6 2017
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Pantomime Terror MIA as Provocateur (Geissen Lecture): 21 Nov 2013
A ‘cultural project’ runs alongside the war on terror and impacts upon a diverse range of practices, from the militarisation of public policy, through to entertainment, cinema and the music industry (Bhattacharyya 1998:293, 299; 2008, 92). Thus, there might be reason to revisit Walter Benjamin’s essay on the now near impossible role of the storyteller as the site of critique and an alternative to ‘Total War’. The storytelling I have in mind involves a mainstream pop music video that uses humour, gimmicky effects and provocations that stress or otherwise reveal our anxieties. The performer-curator and musician Mathangi Maya Arulpragasam, also known as M.I.A, features as main focus: herself conceived as a prankster character, aiming to undo the unexamined comforts of power, in ways which need to be analysed.
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Towards a new Cultural Cartography: Tate Modern 26.1.2013
In holding a preview debate in London, Tate and The Sharjah Art Foundation open the floor to important questions about international contemporary art that are often simplified, subsumed or ignored. Wael Shawky, one of the participating artists, will talk about his work in relation to transregional politics, religion and history. Sarat Maharaj will explore the notion of ‘new cartographies’, which Hasegawa considers crucial to our understanding of the complexities of global developments in art. Speakers include: Hoor Al-Qasimi, President, Sharjah Art Foundation; Yuko Hasegawa, Curator, Sharjah Biennial 11; Wael Shawky, participating artist; academics and writers Sarat Maharaj and John Hutnyk in conversation; and a question and answer session chaired by Marko Daniel, Tate. Part 6: http://bcove.me/fvugf4wg Part 7: Discussion The entire event: here.
https://www.tate.org.uk/context-comment/video/towards-a-new-cultural-cartography
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Culture Now in conversation with Antony Gormley at ICA feb 2013
Video: http://youtu.be/1bE6Ko95faM
Culture Now
26/02/2013
Antony Gormley in conversation with Professor John Hutnyk and Hugh Brody on the subject of Gormley’s Fourth Plinth commission – ‘One & Other’ in 2009.
Trinketization 
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