Click these links or more below for videotaped lectures or talks:
From Subversive Festival Zagreb, May 2014.
John Hutnyk: Translating Capital in context, politics, struggles
The School of Contemporary Humanities
moderator: Dunja Matić
the dedication, the prefaces, the first sentence, the tenth/eight chapter, the teaching factory, malignant and parasitic, etc…
[errata: New York Daily Tribune, not herald. Need to clarify that Commodities as title for chapter one in English is not as good as The Commodity. And I fudged the Horace and Dante quotes, was not rude enough about Zombie’s… but otherwise…]
There are lectures on Capital, but they need an edit (wealthy benefactor-fat-cat types are welcome to chip in so we can hire Tarek to cut them – c’mon, be your own aufhebung).
A ‘cultural project’ runs alongside the war on terror and impacts upon a diverse range of practices, from the militarisation of public policy, through to entertainment, cinema and the music industry (Bhattacharyya 1998:293, 299; 2008, 92). Thus, there might be reason to revisit Walter Benjamin’s essay on the now near impossible role of the storyteller as the site of critique and an alternative to ‘Total War’. The storytelling I have in mind involves a mainstream pop music video that uses humour, gimmicky effects and provocations that stress or otherwise reveal our anxieties. The performer-curator and musician Mathangi Maya Arulpragasam, also known as M.I.A, features as main focus: herself conceived as a prankster character, aiming to undo the unexamined comforts of power, in ways which need to be analysed.
In holding a preview debate in London, Tate and The Sharjah Art Foundation open the floor to important questions about international contemporary art that are often simplified, subsumed or ignored. Wael Shawky, one of the participating artists, will talk about his work in relation to transregional politics, religion and history. Sarat Maharaj will explore the notion of ‘new cartographies’, which Hasegawa considers crucial to our understanding of the complexities of global developments in art. Speakers include: Hoor Al-Qasimi, President, Sharjah Art Foundation; Yuko Hasegawa, Curator, Sharjah Biennial 11; Wael Shawky, participating artist; academics and writers Sarat Maharaj and John Hutnyk in conversation; and a question and answer session chaired by Marko Daniel, Tate. Part 6: http://bcove.me/fvugf4wg Part 7: Discussion The entire event: here.