How come sometimes a book is 80 quid on Amazon then three days later is 3 quid?
Anyway, at last they caught up with the new one from Bloomsbury (click the image and scroll down):
This forms the first part of a new research concentration for me, and owes much to colleagues at Jadavpur Uni now battling the BJP monstrosity. This sort of work relies upon the University remaining an open, critical, creative and thinking place. And such works as discussed here – more than three, a whole series of works are considered, reaching back to when I first met the history and philosophy folks at Jadavpur – are indicative of what remains that is good in the university, despite all that is happening.
50 e-prints for those quick off the mark, here: https://www.tandfonline.com/eprint/AVPTDBBTQNKUBBVHPHSV/full?target=10.1080/00856401.2019.1663884
Available from Aakar Books Here.
Rest of the world here (bloomsbury paperback in November)
Just because its only out cheaply in India does not mean you canot still buy stauff – the Hardback is 20 quid on some sites.
ANd there are a few older things still kicking about:
Cỏc Linh Tuệ Giác = something like the image of the Holy Toad in culture and history.
Going to read this cultural history next and was super proud to receive a copy today from the author, my colleague at TDTU, Thầy Nguyễn Hiếu Tín.
And here he is as a TV star…
Moving from detective fiction in Thailand to commercial reproduction makes sense when its Angela Savage. This is my next non-work read:
Some review snippets lifted from Angela’s blog:
Marian Woolf’s review A gripping story of surrogacy, sisters and power dynamics in The Age and Sydney Morning Herald
Surrogacy and the complicated moral and ethical questions around commercial reproduction is a minefield. The decision to use a surrogate, to become a surrogate, or to facilitate a surrogate pregnancy, are all examined in Mother of Pearl.
However, Savage is interested in more than the individual, and uses surrogacy as a lens through which to probe the differences between Third and First World choices. She tiptoes into frustration at the inward nature of Australian charity, our generosity towards our own relatively wealthy society while seemingly immune to the already poor elsewhere.
Ultimately … Mother of Pearl is a book about relationships – between people, countries and cultures – between those who have, and those who have not.
Linda Jaivin reviewed Mother of Pearl for The Saturday Paper.
‘At times, each character veers dangerously close to stereotype… But author Angela Savage is too skilful a writer to deal in clichés. As the narrative of this, her fourth novel, develops, each of the women reveals herself to be more complex and capable than she first appears.’
Savage, who writes with a tough mind and tender heart, tackles the moral and ethical issues around surrogacy with an unsentimental yet sympathetic eye: this is a novel, not a polemic.
Ken Hayley in the Courier Mail, writes:
‘Even a hard-bitten old codger like myself found certain passages of this work tearful going … Authorial attention to technical detail combined with raw emotional honesty and cross-cultural empathy has produced a narrative of resounding depth … This book is a window opening onto an intersection of economic choices and biological imperatives. We have here a rough literary equivalent of the Mexican movie Roma, except that Savage sees the view, with equal clarity, from both sides.’
And then from the transit lounge sales page for the book, the blurb followed by a review by Christos:
A luminous and courageous story about the hopes and dreams we all have for our lives and relationships, and the often fraught and unexpected ways they may be realised.
Angela Savage draws us masterfully into the lives of Anna, an aid worker trying to settle back into life in Australia after more than a decade in Southeast Asia; Meg, Anna’s sister, who holds out hope for a child despite seven fruitless years of IVF; Meg’s husband Nate, and Mukda, a single mother in provincial Thailand who wants to do the right thing by her son and parents.
The women and their families’ lives become intimately intertwined in the unsettling and extraordinary process of trying to bring a child into the world across borders of class, culture and nationality. Rich in characterisation and feeling, Mother of Pearl and the timely issues it raises will generate discussion among readers everywhere.
‘This is a story of family and motherhood, and also a story of culture and exploitation that asks us to think through the costs of our insatiable desire in the West to have everything. What I find remarkable about this novel is how it refuses easy and lazy judgement, how it takes seriously questions of loss, longing, and our human need to connect with each other.’
Christos Tsiolkas, author of The Slap
‘A beautifully crafted novel from an incredibly gifted writer. Angela Savage explores the ethical minefield of international surrogacy through the stories of three women, desperate but determined to repair the broken parts of their lives The prose is as precise as it is poetic, the characters so deftly drawn. I read this book compulsively, racing to its poignant conclusion with my heart in my throat.’
Melanie Cheng, author of Australia Day and Room for a Stranger
With reviews like this…
Very keen to read this:
Digital media histories are part of a global network, and South Asia is a key nexus in shaping the trajectory of digital media in the twenty-first century. Digital platforms like Facebook, WhatsApp, and others are deeply embedded in the daily lives of millions of people around the world, shaping how people engage with others as kin, as citizens, and as consumers. Moving away from Anglo-American and strictly national frameworks, the essays in this book explore the intersections of local, national, regional, and global forces that shape contemporary digital culture(s) in regions like South Asia: the rise of digital and mobile media technologies, the ongoing transformation of established media industries, and emergent forms of digital media practice and use that are reconfiguring sociocultural, political, and economic terrains across the Indian subcontinent. From massive state-driven digital identity projects and YouTube censorship to Tinder and dating culture, from Twitter and primetime television to Facebook and political rumors, Global Digital Cultures focuses on enduring concerns of representation, identity, and power while grappling with algorithmic curation and data-driven processes of production, circulation, and consumption.
Rumours! (my emphasis).
and page 208 discussed Afzal Guru:
This amazing detailed description is from a book I had been battling to get hold of for a year or more – Amer Farooqui’s “Smuggling as Subversion” 1998:
‘Once the ground was ready, poppy was sown at the rate of 2 to 2. 5 ser of seed per bigha. The seed was sown broadcast. Apart from the several waterings already referred to, much weeding and loosening of soil had to be attended to in the following months. Besides, when the plants were five or six inches above the ground they had to be thinned to distance of three inches.
As much if not more demanding for the peasant was the extraction of opium. Opium is the ‘inspissated juice obtained by scratching the unripe capsules’ of the poppy plant and ‘allowing the milky sap, which exudes therefirom to dry spontaneously’ This job requires considerable expertise. Lack of skill incoUectmg the jiuice (chik) from poppy capsules could ruin the crop. The peasants ofMalwa were reputed to have sufficient expertise in collecting juice from the poppy by the of the 19th century.
So much so that when it was found in Gujarat that ‘unskilful management’ by novices ‘in extracting the juice from the pods and preparing the opium’ was leading to a considerable Ioss the ‘assistance of a few Experienced Cultivators from Malwa’ was sought.
When the capsules were half ripe between January and early March, they were punctured with a small trident formed in an instrument of three short prongs on blades at a distance of about the fourth of an inch asunder. Using this instrument three vertical incisions would be made upwards in capsules.
Weather conditions prevailing between January and mid March were a critical factor in determining the nature of the harvest . Even minor variations in weather at this stage could tell on the poppy.
For collecting the juice, the practice in Malwa was to divide a field into four parts and take up ripe plants of two portions in a single day. Since the collection of juice had to be preceded by scratching of the unripe capsules the previous evening, on any given day juice would be scraped off plants of the first part (which had been operated on the day before), while towards evening incisions would be made on plants of the second part to permit collection of their juice, the coagulated latex, the next day and so on. The poppy capsule should properly be wounded late in the evening after sunset. It has to be left overnight after scarnfication and its opaque narcotic juice is collected next morning. The poppies could be bled three to four times for collecting their juice, and thus the entire operation had to be repeated as many times‘.