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Rustom Bharucha reports that the Progressive Writers Association has its origins, according to ‘its most distinguished founder- member Mulk Ray Anand’ in ‘the expatriate community of India students in London, who had charted their first manifesto as “progressive” writers in 1935 in a Chinese restaurant’ (Bharucha 1998:29)
Bharucha, Rustom 1998 In the Name of the Secular: Contemporary Cultural Activision in Inidia Delhi: Oxford UP
From the good folk at Minor Compositions, a project for hipsters, creatives and others with too much to lose (please share widely):
Surviving as a cultural or artistic worker in the city has never been easy. Creative workers find themselves celebrated as engines of economic growth, economic recovery and urban revitalization even as the conditions for our continued survival becomes more precarious. How can you make a living today in such a situation? That is, how to hold together the demands of paying the rent and bills while managing all the tasks necessary to support one’s practice? How to manage the tensions between creating spaces for creativity and imagination while working through the constraints posed by economic conditions?
In a more traditional workplace it is generally easy to distinguish between those who planned and managed the labor process and those who were involved in its executions: between the managers and the managed. For creative workers these distinctions become increasingly hard to make. Today the passionate and self-motivated labor of the artisan increasingly becomes the model for a self-disciplining, self-managed labor force that works harder, longer, and often for less pay precisely because of its attachment to some degree of personal fulfillment in forms of engaging work. And that ain’t no way to make a living, having to struggle three times as hard for just to have a sense of engagement in meaningful work.
This project sets out to investigate how cultural workers in the metropolis manage these competing tensions and demands. The goal is to bring together the dispersed knowledges and experiences of creative workers finding ways to make a living in the modern metropolis. And by doing that to create a space to learn from this common experiences that often are not experienced as such while we work away in different parts of the city.
And a few things circulated from the UFSO:
Why thanks Neil:
Transpontine: South East London blogzine – things that are happening, things that happened, things that should never have happened. New Cross, Brockley, Deptford and other beauty spots. EMAIL US: email@example.com Transpontine: ‘on the other (i.e. the south) side of the bridges over the Thames; pertaining to or like the lurid melodrama played in theatres there in the 19th century’.
Thursday, September 22, 2011
Convoys Wharf Latest
The future of Convoys Wharf, site of the former Royal Dockyard on the Deptford riverfront, has been discussed here before. A revised planning application for the site has recently been submitted by News International (former owners of the site) and Chinese property developer Cheung Kong (current owners).There is a lot of local concern about the plans – not just about the impact of what is proposed, but in relation to the loss of the potential once in a hundred years opportunity to do something special here that makes a positive difference to people in Deptford. Challenging these plans, put forward by two of the world’s most powerful conglomerates in the world, is a daunting prospect.Enter Deptford is…, ‘a group of local residents who want to ensure that the redeveloped Convoy’s Wharf offers the best for Deptford and its future. We are NOT affiliated to any political party, commercial interest or quango’. This Saturday 24th September, 10 am to 12 noon, they are organising a ‘planning objections workshop’ in the Blue room at the Albany, Douglas Way.They say ‘Many local residents are worried about the impact of the redevelopment, and are keen to ensure that their concerns are heard by the council. But the planning documents are numerous and complex, and many people who want to respond to the application simply don’t have the time to read them fully. Even those who do have time to read the documents may not know enough about the planning system to be able to write an effective response. So we are holding an URGENT planning objections workshop THIS SATURDAY MORNING at the Albany theatre in Deptford, to provide help and advice to people wanting to comment on this planning application’.
Is that all there is?
A couple of weeks ago I took a group of visitors to Goldsmiths on a guided walk around New Cross and Deptford, focusing on the history of the area and some of its buildings. It was an interesting group, mainly from USA and India, including among others critical architects, a photographer, a film maker and a singer/theatre writer.
The theme of their meeting was globalisation and preservation and this seemed very apposite to Deptford. After all it is arguably one of the birthplaces of a kind of globalisation, the East India Company having been based here, and various colonial and slaver expeditions starting out from the Deptford shipyards. And ‘preservation’ is part of what the argument about Convoys Wharf is all about – how can or should any development reflect the site’s history and preserve the memory of shipbuilding and migration (as for instance Shipwright’s Palace argue)? And what about the site of the historic Sayes Court garden?
One thing that is very striking about the area, looking at it through the eyes of visitors, is just how much it is a zone in transition. I kept finding myself saying on the one hand, ‘until recently this was here’ and on the other ‘soon there will be a new tower block here’. Another feature for an area so tied up with its riverine history is how cut off much of Deptford is from the river itself, not least by the walls around Convoys Wharf. The current planning application promises to restore public access to the river, and that is essential. But does that mean we should just accept any scheme that offers a view of the water?
Another theme that emerged from chatting to the visitors was how similar the experiences of urban development, and specifically riverside development, are across the world. Unimaginative identikit schemes, often by the same architects and developers in different countries, with ‘luxury flat’ tower blocks and sterile semi-public spaces. Is that all there is?