This very good review by Bruce Williams in Film-Philosophy.
Ewa Mazierska and Lars Kristensen (eds.) (2014) Marx at the Movies: Revisiting History, Theory and Practice, London: Palgrave Macmillan. 293 pp.
includes a nice summary of my chapter:
In the realm of the classical cinema, John Hutnyk’s ‘Citizen Marx/Kane’ draws a parallel between Citizen Kane and Marx’s book (218-243). When read together, these two seemingly disparate works symbiotically enrich the viewer’s understanding of both. Through an exploration of such notions as the allegory of property, philosophic biography, and the fetishisation of objects, Hutnyk asserts that a Hollywood classic like Kane can render Capital relevant to the present day. He illustrates that what we see in the film that is not in Marx’s book ‘is the personification of a class system’ (240). For Hutnyk, a Marxist reading of Welles’ film serves to debunk the obscuring of the oppressive regime of capital and the alibis in the name of philanthropy that capitalists deploy ‘for their acquisitive plunder’ (240).
Read the whole review: Bruce Williams in Film-Philosophy.
NDTV have a record on this topic which is, erm, unenviable. For example, they had run a phone in poll to see if their audience wanted Afzal Mohammed Guru hanged, held before the court gave its verdict, on what was a frame-up according to many, and the ‘torturer for the nation’ proudly proclaiming his role in getting Afzal’s confession… So it is deeply troubling that even now Police action cracks down on legitimate dissent. Cultural event! Maybe there is more to it, but it looks dubious to me – what threat was this demonstration to the nation? Kanhiya Kumar zindabad.
Full story here.
The magazine is here: TheInvisibleFinger
Huge excitement building in Hsinchu East…
Screening: Thurs 24 Dec 2015 Hsinchu NCTU HA Bldg 106. 6:30 all welcome
Against descriptive abstracto-clerical abstentionism,
Down with soft-time precariosectionallerationism,
Forget hard core solidarnozaprojevognosticism,
Exotico-vanguardianistas running remedio-databurst
In reeducational therastuparative ontoantileninburgola deepspair
Willi not teleseparational ultranarcolexcptospirational
waste-maskarting for debt-breath-dream-hole tuckffeory,
There unreally else no-one to kick out the codewebs,
Only youblamemetruly now. mthanks. uuu uuu.
In a post script to a letter he sent before leaving Algeria in the last year of his life, Marx, recovering a little from pleurisy and enjoying himself – ‘Nothing could be more magical than the city of Algiers; …it would be like the Arabian Nights’ (Marx to Jenny Longuet, 16 March 1882) – cuts off his hear and beard! He has himself photographed just beforehand and in a later letter from his next stop – Monte Carlo – to his daughter Laura, writes: ‘I enclose one photo for you, another for Fred”; no art can make the man look worse’ (Marx to Laura Lafargue, 6 May 1882).
Here is the last few lines and postscript of Marx to Engels (28 April 1882):