Steve Redhead: Theoretical Times

I’ve read most of Steve Redhead’s work over the years. Maybe not all the Virilio stuff as I leave that to Sophie, but this is the next one I’ll read:

Theoretical Times

Redehead TTimes

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And why now? – should have been earlier of course, but I am less often in bookshops with ready cash, and just found out the terrible, most terrible, news of Steve’s passing.

“Am deeply sad to find that just over a week ago the scholar Steve Redhead died. There are many tributes, well deserved. In Manchester in 1994, in another university and in a different discipline, how great was it that a (then) law prof took an interest in a talk on Derrida’s Marx book by an unknown postdoc and in conversation suggested archives I could read on the history of anti-racism activism in the UK, without which no “Dis-Orienting Rhythms”, among so much else. RIP Steve Redhead. Hope his family and friends and especially Tara Brabazon will be fine, despite condolences never being anywhere near good enough.”

 

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Cartographic Abstraction in Contemporary Art: Seeing with maps

ClaireClaire Reddleman’s new book ‘Cartographic Abstraction in Contemporary Art: Seeing with maps’ is out now from Routledge Advances in Art and Visual Studies!

Claire Says:

“It’s all about different forms of cartographic viewing – including the ‘cartographic view from nowhere’, drone viewing, the Apollonian view (in which the earth is ‘seen’ from space), remote cartographic viewing (with particular reference to the antipodes) and an ‘immersive’ form of viewing cartographically from within an art installation. These ways of seeing with maps are explored with close reference to a series of contemporary artworks, by Joyce Kozloff, James Bridle, Trevor Paglen, Layla Curtis and Bill Fontana. The book is a development of my phd thesis, and so is most likely to be of interest for postgraduate students and researchers – but I think the material about the artworks will also be of interest for art students, artists and art-world professionals, and the theoretical ideas about cartographic abstraction will be of interest for people who work on real abstraction and Marxian-informed ways of thinking about art and visual culture”.

Here is the official blurb:

In this book, Claire Reddleman introduces her theoretical innovation ‘cartographic abstraction’ – a material modality of thought and experience that is produced through cartographic techniques of depiction. Reddleman closely engages with selected artworks (by contemporary artists such as Joyce Kozloff, Layla Curtis, and Bill Fontana) and theories in each chapter. Reconfiguring the Foucauldian underpinning of critical cartography towards a materialist theory of abstraction, cartographic viewpoints are theorised as concrete abstractions. This research is positioned at the intersection of art theory, critical cartography and materialist philosophy.

Here are the chapter headings:

Intro – From Critical Cartography to Cartographic Abstraction: Rethinking the Production of Cartographic Viewing Through Contemporary Artworks

1. Reconfiguring the View From Nowhere: Collage and Complicity in ‘Targets’ by Joyce Kozloff

2. The Drone’s Eye View: Networked Vision and Visibility in Works by James Bridle and Trevor Paglen

3. Remote Viewing, Cartographic Abstraction and the Antipodes: Three Works by Layla Curtis

4. Signification in the Soundscape: Bill Fontana’s ‘River Sounding’

5. Cartographic Abstraction: A Material Modality of Thought and Experience

Availability

‘Cartographic Abstraction in Contemporary Art: Seeing with maps’ is available for library recommendation at under £90 from Routledge: https://www.routledge.com/Cartographic-abstraction-in-contemporary-art-seeing-with-maps/Reddleman/p/book/9781138712577. The kindle edition is about £26. ISBN 10: 1138712574 / ISBN 13: 9781138712577. Paperback in 2019 if you are not made of money.

Spivak: What time is it on the world clock?

Spivak on time, speaking on education and critiquing the knowledge management toolkit template at die Akademie des Verlernens \unlearning academy\. Has some anecdotes of crying boys and vids from the field to soften you up, then in a rising tone, strikes several times and clocks you for six.
 

narco-analysis

Sad to hear that the Shopping Hour journal (ex zine) has ceased publication. Here’s my little piece on Freud’s cocaine murder guilt complex in the pic – click to enlarge. It also serves as hat-tip to Prof Dave Boothroyd’s excellent book on drugs, and is result of a reading group on Interpretation of Dreams 100th anniversary way back in 2001. All the SH issues are here.

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note to self #prophecy #insight #stub-of-an-idea

CRICKET 4 SEATERTo admit to feeling the futility of political and analytical purchase is still no justification for paying the price.

Do not imagine you will succeed, and even resting content with this realisation would be arrogance.

[I dreamt my elder son – now six – tells me these things at 14 years old. He is wise before his years].

Marx Capital lecture course at Goldsmiths ✪

#Marx #Capital #lecture #course at #Goldsmiths #GoldsmithsUni ✪

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Public Lecture course on Marx’s “Capital” at Goldsmiths: everybody is welcome

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Capitalism and Cultural Studies – Prof John Hutnyk:

tuesday evenings from january 14, 2014 – 5pm-8pm Goldsmiths Room RHB 309. Free – all welcome.

No fee (unless, sorry, you are doing this for award) – and that, friends, is Willetts’ fault – though the Labour Party have a share of the blame too.

This course involves a close reading of Karl Marx’s Capital (Volume One).
90 minute lectures, 60 minutes discussion.

The connections between cultural studies and critiques of capitalism are considered in an interdisciplinary context (cinema studies, anthropology, musicology, international relations, and philosophy) which reaches from Marx through to Film Studies, from ethnographic approaches to Heidegger, from anarchism and surrealism to German critical theory and poststructuralism/post-colonialism/post-early-for-christmas. Topics covered include: alienation, commodification, production, technology, education, subsumption, anti-imperialism, anti-war movement and complicity. Using a series of illustrative films (documentary and fiction) and key theoretical texts (read alongside the text of Capital), we examine contemporary capitalism as it shifts, changes, lurches through its very late 20th and early 21st century manifestations – we will look at how cultural studies copes with (or does not cope with) class struggle, anti-colonialism, new subjectivities, cultural politics, media, virtual and corporate worlds.

The lectures/seminars begin on Tuesday 14th January 2014 between 5 and 8pm and will run for 11 weeks (with a week off in the middle) in the Richard Hoggart Building (Room 309), Goldsmiths College. You are required to bring their own copy of the Penguin, International Publishers/Progress Press or German editions of Karl Marx Capital Vol I. We are reading about 100 pages a week. (Please don’t get tricked into buying the abridged English edition/nonsense!)

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