Conference in Durham deserves your attention…
Attendance at the workshop is free but registration will be required, since places are limited. For enquiries and registration, email firstname.lastname@example.org
For an explanation of Trinketization – never fully codified as yet – you might start with the following old posts:
And this picture is a trinket gesture itself – you should read Paul Hendrich’s piece on the Deptford Town Hall slavery statues; also check Rosie Wright on Trafalgar Square plinth (here), and Imogen Bunting on May Day posings (here) – the three of us often talked trinkets, working out a critique of objects and their multiple meanings. The three of them really are each very much missed.
This piece by Philip Kennicott was published August 15 2012 here.
[read the whole text by clicking the link above – the part about Craig is here]: But what if such things fell into the hands of bad people? The answer to that is addressed in fascinating, elliptical ways by the most conceptually complicated project on display, “FireSale©TM,” by Colin Beatty and Craig Smith, who operate as the collective SmithBeatty. The project involves purchasing a gun, disassembling it and mailing its pieces to “33 stakeholders, including museum directors, art curators, artists, university professors, lawyers and a weapons manufacturer president.” The pieces are defined as shares in a corporation and beautifully packaged into sturdy cases. Recipients aren’t asked whether they want to participate, and when the collective issues a call on the shares — the gun pieces — the participants can ignore the whole thing or return the gun parts as asked, which are then reassembled.
The inevitable “missing” pieces are manufactured using a 3-D printer, a powerful technology that may at some point allow almost anything to be reproduced at home using digital design files readily found on the Internet. In the case of “FireSale©TM” — which includes extensive and beautifully rendered documentation of the project, a blog on which participants record their reactions, and the gun pieces (or their 3-D printer substitutes) — the missing gun elements, made from a fragile white plastic compound, are not functional.
The positive, practical elements of this technology are obvious: Surgical tools could be available in remote locations; easily acquired replacement parts might put an end to landfills stuffed with barely broken toasters. But there’s a deeper utopian element in how SmithBeatty conceived its game. By structuring the project as a corporation, the duo demonstrates how the complexity of human interaction may be the greatest brake on our collective suicide. The busy executive who tosses out his piece of this gun effectively stops the reassembly. Only complete participation — almost impossible to get in any project — can yield a functioning gun. At least for now, but perhaps not for long if 3-D technology is sufficiently advanced.
Manifest: Armed [was] at the Corcoran’s Gallery 31 space through Sept. 2. Call 202-639-1700 or visitwww.corcoran.org.
What other CCS graduates have been up to is here
Somehow I have been targeted by pranksters who keep making up neoliberal sounding fictive conferences that could not possibly exist even in this benighted corporatized world. This one is a spoof on the UfSO, no? The fee is £395, with a whopping £70 off if you are gullible enough to even consider going to this bore-a-thon. ‘opportunities to network’ – wow.
Dodgy Dodgy Dodgy: ‘many thousands of young men have been introduced to Freemasonry through these two Lodges [Oxford and Cambridge], and they provided the inspiration for the Universities Scheme’. As blokey as Wee Willie Willets and his heinous kind.