The new UK Points-Based Immigration scheme is – no surprise – a nasty headache, and the hoops to be jumped through for the privilege of being charged for higher education in the ever more depleted UK HE sector are just mind-boggling. See below for the guidance for students who might have the mad idea that coming to Goldsmiths might be a straightforward matter of applying and being accepted. To think that this points-biased plan originally comes from Australia is painful (and not mitigated by the UK’s overdue acceptance of the Flat White Coffee and decent Colombian beans – at last). Worse, it seems Lib-Dem Clegg (the fifth Beatle) wants to introduce a localized version of this, while his mates Posh Dave and Gordon Godzilla have even more rabid anti-immigration ideas up their trickster sleeves (no-one said anything good on this topic in the first TV ‘debate’ – where was Davina McCall, who could have let us phone them out of the show and have them sacrificed to appease the volcano). Non compliance with the reporting is the way forward for staff, but here are the latest instructions, just to emphasize the absurdity of it all – the immoral maze. My favourite is the promise that all this will change again imminently. For the worse no doubt. Use you vote wisely – screw it up and stuff it in the end of an old bottle, half filled with Volcanic ash, light the end and be ready to throw – self defence is no offence as we know.
Seriously though – the Students Not Suspects campaign site is here. Join the fight.
FAO: All Administrative and Academic Staff
Following implementation of points-based immigration (PBI) international students who require a visa to study in the UK must be sponsored by a licensed institution.
The type of visa a student can apply for is dependent on their age, and both the level and duration of their programme of study – see http://www.ukba.homeoffice.gov.uk/studyingintheuk/<http://www.ukba.homeoffice.gov.uk/studyingintheuk/> .
Goldsmiths has been licensed by the UK Border Agency (UKBA) to sponsor students in all categories, but most international students at Goldsmiths will need to apply as Tier 4 General Students.
Tier 4 (General) category is for adult students who want to come to or remain in the UK for post-16 education.
Whether applying to enter the UK to commence studies or remain in the UK to continue their studies a students visa application must be supported with a Confirmation of Acceptance for Studies (CAS). CAS are issued on behalf of Goldsmiths by the following offices:
. Admissions – applicants to commence a new programme of study at Goldsmiths should contact the Admissions Office, Room 115, Richard Hoggart Building or email@example.com <mailto:firstname.lastname@example.org> . Further information is also given at http://www.gold.ac.uk/international/visa/ <http://www.gold.ac.uk/international/visa/> ;
. Enrolments and Records – students extending their student visa to continue or repeat part of their current programme of study should visit Enrolments and Records, Room 122, Richard Hoggart Building or email email@example.com <mailto:firstname.lastname@example.org> .
Students should note that we are required to take a photocopy of their current passport, details of which must be included in the CAS together with tuition fees paid, and pre-requisite qualifications if they are a new entrant. They should allow 5-10 working days for their CAS to be assigned, i.e. we must apply and pay for the CAS via the UKBA Sponsor Management System. The CAS is valid for 6 months from point of issue, after which the student must show this office that they have obtained clearance to study or they may not be sponsored and taught by the institution. Students are therefore required to show proof of entry clearance to Enrolments and Records once their visa application has been processed or their access to services may be suspended and their enrolment withdrawn.
It is important to note that although international students are not permitted to enrol on a part-time programme of study, they are permitted to repeat in part-time attendance or in exam-attendance if their participation is required. In such cases we will ask the Academic Department to confirm that the student’s participation is required and that they are able to meet their sponsorship duties, or we may not issue a CAS.
Subsequent to the issue of a CAS, Enrolments and Records will be required to report any change of programme, interruption, withdrawal, or failure to attend/enrol to the UKBA. It’s therefore important that any student indicating a wish to interrupt or withdraw is referred to either the Departmental Administrator or Enrolments and Records who may issue them the appropriate paperwork to be authorised by either their head of department or senior tutor. Students failing to return the authorised paperwork within 2 weeks of the last date of attendance will remain liable for the full tuition fee and will not be eligible for a refund of any fees paid.
Failure to report such changes within a reasonable timeframe may also result in our sponsor licence being withdrawn, we will not be able to issue CAS to any student of Goldsmiths and current students may find that their CAS or visa is cancelled.
Tier 1 category is for skilled workers, but visa applications might be supported by confirmation of award and transcript of results – see http://www.ukba.homeoffice.gov.uk/workingintheuk/tier1/ <http://www.ukba.homeoffice.gov.uk/workingintheuk/tier1/ > <http://www.ukba.homeoffice.gov.uk/workingintheuk/tier1/ >
Whether a Goldsmiths student is applying for Tier 1 (General) or Tier 1 (Post-qualifying) their visa application must be supported by proof of qualifications.
Student Archives is able to provide Goldsmiths alumni or graduates a copy of their transcript or confirmation of award for this purpose. Enquirers should be advised to contact Archives, Room 122, Richard Hoggart Building and complete the order form or email email@example.com. Further details of the services offered by Archives are given athttp://www.gold.ac.uk/student-services/transcripts-archives/ <http://www.gold.ac.uk/student-services/transcripts-archives/> .
This information has been circulated to all international students, but if a student does want further advice on points based immigration, isn’t certain of what visa they require or have been refused entry to the UK they should contact Student Advice, email firstname.lastname@example.org <mailto:email@example.com> with brief details of their enquiry. All enquiries are dealt with in confidence.
Further changes to PBI are expected to be announced shortly, including the introduction of Highly Trusted Sponsor status. We will keep staff and students informed of these changes as they happen.
On behalf of Student Services / Marketing and Recruitment
Criminals on our buses. So we better check their tickets cos we want them to pay full fare right! (Far Right – from the lovely people who brought you points based immigration, endless queuing, lost passports, deportations to Iraq, and the generalized cretinization that is the UK Border Agency). Worse than Homeland Security I think.
The sharp-as-a-tack-smart Emma informs me of the Home Office’s boneheaded formulation:
“‘Intelligence has shown that failed asylum seekers and other immigration offenders are using public transport on a regular basis. Previous operations on public transport routes have resulted in identifying and arresting failed asylum seekers and also removing them.’
I am wondering if preservation-talk is confined to certain areas and domains and should be either expanded or done away with. This is not just a two-part provocation, but in between the calculations of intervention and documentation, can we talk of continuities of action, of commitment, of engagement or – conversely – the loss of these – preserve solidarity, preserve the party form, preserve the international… And what is the difference between preserve and re-institute/renew? Corporate preservation and gentrification on the one hand, and Nietzsche saying ‘what is falling down should be pushed’ on the other. Old forms abandoned in some cases, others guarded by right. I would like to describe three different contexts in which these issues seem pertinent: a) the work of internationals in relation to NGOs, activist groups and political struggles that perhaps need an ‘about face’ to escape a drain on scarce resources ‘on the ground'; b) the hijack of community, participation and care by corporate and commercial interests who proudly announce their token initiatives in press release and annual report (what I will call ‘glossy anthropology’); c) and the disjunct of heritage funding and political context, using the London Underground and the security situation in the War on Terror as example.
I will be attending this important bit of theatre:
THIS MUCH IS TRUE
By Paul Unwin and Sarah Beck
On 22 July 2005 Jean Charles de Menezes was shot dead by the Metropolitan Police at Stockwell tube station. It was a defining moment in London’s history yet too many questions are left unanswered.
Award-winning writer and director Paul Unwin’s (co-creator of Casualty and Holby City) and Sarah Beck’s play is a shocking, electrifying, insight into what really happened before, during and in the years following Jean Charles de Menezes’ death.
Weaving together new and personal testimonies from senior police officers including Andy Hayman (Metropolitan Police former head of counter terrorism), Brian Paddick, Jean’s family, his friends, the legal team (including Michael Mansfield QC), THIS MUCH IS TRUE brings the tragedy to the stage and reveals much that has never been said publicly before.
Cast: Amber Agar, Stefano Braschi, Alice Da Cunha, Gerald Kyd, Beatriz Romilly, Justine Waddell.
Directed by Tim Roseman with a multi award-winning creative team including Paul Wills, Mike Walker, Knifedge, Richard Howell and Daniel Pemberton.
Douglas ‘Buzz’ Coupland’s new novel, ‘Generation A’, takes as its premise the disappearance of bees, much discussed in the press in the wake of hive collapse. The tale is told in an unfolding multi-part personal/police statement/autobiography mode. It works mostly well until the storytelling parts in the second half, which are really OK in themselves, but a great chance for some structuralist play was missed I feel. The links are there, but I am not sure Buzz knows how to join up the sides of his hexagon as well as he might have. A few weeks more work could have been good. Nevertheless, this book is as readable as the other DC highlights (eg ‘Girlfriend in a Coma’, and the magnificent ‘All Families are Psychotic’). The distraction of the cover art gimmick (design your own colours for the jacket – I chose yellow!) and the lame title, dissuades the reader, and perhaps the author, from engagement with the covert security forces aspect of the scenario as written. War on terror meets eco-catastrophe is the topical theme of our times, yet this is not yet the novel that breaches the impasse of mere commentary. Terrible thing to say about literature, but I wanted it to do more – and instead, well, a meditation on celebrity is the danger here: I almost yawned at those parts. Although the boy’s own adventure espionage aspects are well rendered, they do not approach the necessary allegorical harshness required to compete with texts like Paglin and Thompson’s Torture Taxi. We live in dangerous times, and need a dangerous literature to engage. More cross pollination would not have hurt this text, I can’t help but feel there’s something a little flat about the landscape. All those rendition flights, and the stereotyped mad scientists, and the detention regimes, are treated with lightness and humour, and – fuck me with the tourette’s character’s PDA – I’m still not laughing over the war. I’m not over it, sorry. And getting all misty for the bees isn’t enough, no matter how much the Calvino inspired narrative game appeals (If on a Winter’s Night a Traveller… echoes strongly here). I like Coupland in a Canadian way, its good, it should be read, but there could be more than a lame colouring-in participatory aspect to the reading.
Do you like the yellow cover I’ve designed? – no creativity there then. We are doomed. Buzz buzz buzz.
And do you remember the opening credits of of the 1985’s Luc Besson film ‘Subway’?
“To do is to be” — Descartes
“To be is to do” — Sartre
“Doo, bee, doo, bee, doo” — Sinatra
That’d be name dropping then, Cristopher Lambert – even if Jean-Hugues Anglade was in it, Lambert was good here. But speaking of Anglade, couldn’t his co-star from ‘Betty Blue’, Beatrice Dalle, play ‘Diana’ in the movie of Coupland’s book? Shahrukh Khan as ‘Harj’ (though not Sri Lankan, still… but drop the ridiculous Apu routine). Kurt Cobain as ‘Zack’ of course… Am I dreaming up an impossible cast? There are five roles. I probably need to get all hexagrammatical here too:
Ever wonder why bees use hexagons to make beehives? Two reasons. First, bees want to enclose the largest possible space with the least amount of wax. With this in mind, a circle would be best. So why don’t they use circular combs? Because hexagons are the shape with the most sides that “tesselate”. In other words, if you put a bunch of hexagons next to each other there will be no spaces between them. No shape with more than six sides will do this.
Arvind Rajagopal 2009 ‘Violence, Publicity, and Sovereignty: Lawlessness in Mumbai’ Social Identities 15(3):411-416
The always interesting Arvind Rajagopal starts his discussion of the terror attacks of Mumbai by evoking the ‘lawless violence’ of the East India Company of old, suggesting that ‘once more we are at a time’ when the territorial incursions of rampant ‘non-state actors’ are denounced by politicians, just as the activities of the East India Company provoked calls for the rule of law in the British parliament, and the company was relieved of its rule, subsequently ceded formally to the Empire.
Rajagopal links the piracy of the East India Company to that of contemporary terror discourse: ‘On 26 November 2008, terrorists arrived by sea and entered near the Gateway [of India], making an entrance not unlike the pirates of yesteryear’ (Rajagopal 2009:411). The trouble with this formulation is that however much the Mumbai attackers can be traced to Karachi, they are not quite the calibre of state sanctioned privateers such as, Drake, Raleigh or the officials of the EIC, nor is Pakistan the likely Colonial power about to impose rule of law upon the subcontinent as part of some global sunset-avoidance regime. Yes, the State of today ‘mimics the behaviour of private parties, justifying violence as revenge and practicing torture as the just deserts of terrorists’ (Rajagopal 2009: 411-412), but I am not sure the Mumbai scenario exactly fits the EIC analogy. Later in the article Rajagopal chides exactly those who would suggest the source of Hindu-Muslim violence joins up all too neatly with some civilizational clash argument, with Hindu’s ‘improbably’ on the side of Christianity (Rajagopal 2009:415). Without agreeing for one moment that the clash of civilizations argument is coherent, to suggest that Hindu-Muslim violence is somehow projected onto this scenario strangely feels like a ritual evocation of the story of Meerut and the rumours that provoked the ‘Mutiny’ – which remains unmentioned by Rajagopal, but is implied, and is of course one of the main catalysts for the revocation of the EIC charter in the late 1850s (see discussion in Hutnyk 2004). I think, however, the piracy of the terrorists and that of the EIC is of a different order, vis a vis justifications of State power.
What I am suggesting is that a framing of the Mumbai attacks in terms of a dated moment of crisis of sovereignty belonging to the 1850s (itself deftly discussed by Marx) is an old thinking that does not adequately characterize the Imperial conjuncture of today. Yes, there are parallels, but the lawlessness of the State is the para-site of Empire – the model is not the EIC and its private army, but the Empire proper, from Viceroys through to Sepoys: a State actor that sanctions its own lawlessness as law. Rajagopal goes back too far, influenced perhaps by the thinking of Hardt and Negri, who also made the EIC a point of comparison for the globalism of today. Why though, not think of Empire at its height? The colonial today is full-blown, the Viceroy strides the earth (and her name is Hillary ). Significantly more interesting is Rajagopal’s appreciation of the changed media circumstances in which this scenario is played out. Here, the recent history (of media) is evoked (though again with reference to rumours that might just be heard to hark back to that Meerut story) and helps us comprehend the present media scene. The points presented in terms of media and its effects are more substantially grounded in transnational commercial flows, and though this is also well-worked ground, it is worth quoting in detail:
‘The attacks of November 2008 were the first terror attacks in India to occur under the full glare of media spotlights, and, after many years of state-controlled media, in an era in which private broadcasters dominate the airwaves. Dozens of 24-hour news channels vie for the Indian audience, many of them subsidiaries of transnational media corporations … In the past, when such violence occurred, the first response by the state controlled media would be a news blackout, followed by terse and occasional news bulletins aimed at the political management of the situation: public safety took second place to the preservation of the ruling party. Citizens had to rely on rumour for information, and of course the source was never certain. Although there was often alarm and panic, any citizen responses were necessarily more diffuse’ (Rajagopal 2009:413)
I do find it difficult to concede that the citizen response to partition in 1947, language riots in the 1950s, Naxalbari and its aftermaths in the 1960s and 1970s, anti-Sikh pogroms in 1984, Babri Masjid in 1992, and so on, were merely ‘diffuse’ [my italics], but the suggestion that a new live news, transnational media, audience competition dominates the public sphere certainly deserves consideration in terms of sovereignty and state control of the instruments of communication. Rajagopal is right to say ‘the media take on increasingly state-like characteristics’ (Rajagopal 20009:414) – what needs to be further examined is how the imbrications of state power and terror proceed apace. What is hinted at in Rajagopal’s title, but not developed, is that sovereignty and violence are intertwined here: of course the work of Georgio Agamben, Jacques Derrida, and most of all that of Walter Benjamin will be crucial, and more careful readers will need to be deployed. It is well and good that Rajagopal indicates the terrain upon which explanations, and useful analogies, may be sought, but what is to be avoided is any suggestion that this new ‘lawless’ moment can be wholly understood as a rerun of the piracy of the EIC. If this analogy is to work at all,, the comparison should be exactly with the consequences of the imposition of formal colonial rule, the removal of the powers of the Company in favour of an organised Governmental force, and thereby the systemic crushing of the anti-colonial threat of the ‘Mutiny’ and its consequences (including its diffuse ‘rumours’ of a possible independence – see Mahasweta Devi’s amazing book The Rani of Jhansi). News media of the like of NDTV x 24 are not much more than the propaganda wing of the State machine, now diversified into business in convoluted but effective ways. And of course there was a terror czar trotted out to be the Giuliani of Mumbai (chief of police interviewed…), but he was not charismatic enough to then run for mayor – not every history repeats as farce. Rajogopal has presented some interesting comparative moves, but maybe not necessarily exactly the ones that are most apposite.
Thanks as ever to Virinder Kalra for discussion that provoked some of the ideas here.