I had noticed that the initials of “I Am Charlie” are an anagram of CIA, and yes, you can be a patsie and guilty, and for sure the death squads are tools of wider interests, but this is too hit and miss not to be disturbing. Which bits count as evidence, which speculation? Classified between zionist assets and conspiracy theory, these four items make it into the Pantomime Terror file. Thanks to DE, AW, SC and MB for them drawing my attention.
Click here to order: http://www.zero-books.net/books/pantomime-terror
Is it only my dysfunctional take on things that makes me see this as the ‘dream-work’ of the war on terror?
‘do you think that’s really bad?’
‘you’re just having a go at me coz I’m not poor anymore’
Go here to see this in action (on some browsers, not all).
Posted on Friday 23 March 2012
April 25 2012, 6.30pm
at the Royal Garden Hotel,
2-24 High Street Kensington:
nearest tubes High Street Kensington and Knightsbridge.
As “counter-terrorist experts”—many better known as armament companies—gather at the Royal Garden Hotel to guzzle champagne followed by four course dinner. Pausing only to gaze over Kensington Gardens. (At a mere £156 a ticket—guess who isn’t suffering from “austerity”?)
Join Disarm DSEi as we confront exhibitors at the so-called Counter Terror Expo—an event showcasing the latest equipment used by states to spy on, restrict and murder their citizens under the guise of “preventing terrorism”. Let’s help them choke on it! (Remember the DSEi dinner demo at the National Gallery!)
Dinner guests include:
- General Dynamics
- British arm of US-based firm agreed deal to upgrade military equipment for an elite Libyan government security brigade.
- Chemring Defence
- British contractor produced CS gas canisters fired at civilians by Egyptian security forces in Tahir Square.
- L-3 Security & Detection Systems
- A division of $15bn surveillance and communications giant L-3 Communications.
- French aerospace and defence company paid fine of €630m in 2010 over bribes to win contract for 1991 sale of frigates to Taiwan.
- Northrop Grumman
- US global aerospace company, world’s fourth largest defence contractor.
(Check out the full list of exhibitors)
Across North Africa and the Middle East, dictatorships have, and still are using equipment supplied by UK companies to spy on and attack demonstrators, and yet some of these countries will be shopping for more equipment at the Counter Terror Expo, along with other repressive regimes from around the world.
The UK is a major market, where police are widening their surveillance and repression to even the mildest dissidents. As the government relentlessly destroys the welfare state and drags our wages to rock bottom, it continues to subsidise and promote the arms and “security” industries
The event hosts hundreds of exhibitors, not only leading arms companies, who make huge profits from conflict and repression. It is officially supported by a vast range of military, police and private security organisations, and is endorsed by state agencies such as the MoD and NATO.
Surveillance systems will be a major focus, with companies again promoting biometric and data gathering/mining technologies; promoting “freedom” through ever greater control and documentation of our daily lives, not to mention drones (coming to a demo near you shortly!)
The event is organised by Clarion, which also runs DSEi—the world’s largest arms fair. What with governments everywhere looking to increase control of their citizens, and the industry exaggerating threats to increase their profits, Clarion must think they’re onto a winner. Let’s show them they’re not.
A piece written before this week’s release of Bad Girls, coming out soon in Social Identities.
Abstract: The recent work of the Sri-Lankan-British musician and sonic ‘curator’ known as M.I.A. (real name: Mathangi Arulpragasam) is considered as a commentary on atrocity and read alongside the well known essay ‘The Storyteller’ by Walter Benjamin and comments on Auschwitz by Theodor Adorno. The storytelling here is updated for a contemporary context where global war impacts us all, more or less visibly, more, or less, acknowledged. It is argued that the controversy over M.I.A.’s Romain Gavras video Born Free is exemplary of the predicament of art in the face of violence, crisis and terror – with this track, and video, M.I.A.’s work faced a storm of criticism which I want to critique in turn, in an attempt, at least, to learn to make or discern more analytic distinctions amongst concurrent determinations of art A careful reading of Adorno can in the end teach us to see Born Free anew.
Keywords: Benjamin, Adorno, Gavras, M.I.A, music, terror, racism, orientalism.