This book is about storytelling and music video – well, also politics and terror, performance and television.
The book tunes into music in three acts. I have written on these performers before, and so thank them again for the opportunity to return to their stories. The approach is a continuation of a research project and collective political effort that I joined when I first came to Britain in 1994. This iteration rehearses this work for London and in relation to twenty first-century terrors, as well as returning to a long beloved articulation of divergent interpretations of critical theory, especially the work of Theodor Adorno. In the introduction, there is a first rendition of the theme of pantomime, which will resonate throughout, and perhaps perversely, the end of the intro starts in on the end of the video Cookbook DIY, examined more fully in the next chapter. I advance this end because the point of this book is to record how peripheral ‘messages’ are too often ignored. In this sense, the project of ‘pantomime terror’ as distraction will be affirmed. I thank Aki Nawaz and Dave Watts for what is now a long collaboration.
The chapters are:
1. Introduction: London Bus :: Pantomime :: War Diary :: Mediation :: The Orange Jumpsuit :: Alerts.
2. DIY Cookbook: Visiting the Kumars :: A Suicide Rapper :: 1001 Nights :: Cookbook DIY :: Pantomime Video :: The RampArts Interlude (notes from a screening) :: All is War :: Back to the Kumars.
3. Dub at the Movies: Representing La Haine :: Žižek-degree-zero :: Derrida Writes the Way :: The Eiffel Tower :: Ruffians, Rabble, Rogues and Repetition :: Musical Interlude :: Riff-raff :: Reserve Army :: Coda: The Battle of Algiers :: Molotov.
4. Scheherazade‘s Sister, M.I.A.: Cultural Projects :: Storyteller Nights :: M.I.A. :: Born Free :: Sell Out, or Tiocfaidh ár lá :: Witticisms and Wagner :: Despot Culture :: Scheherazade in Guantánamo.
Here’s SCROTUS warning us of the pantomime terrorism situation in Sweden. The double speak bubbles capture his discourse with uncanny accuracy. People may think this is kids stuff, but as a sign of the end times and I think Todo’s caught it just right.
Am gearing up for another round of kiddy tv and hoping there are new programmes since the mind worms of Iggle Piggle and Peppa Pig did their damage. This time Theodor and I are reviewing the options for Annabel’s rapidly arriving toddler indoctrination sessions. First exhibit on review is Nicklodious’s ‘Shimmer and Shine’.
Flying carpets, shalwar kameez, wayang kulit shadow puppets, princesses and dragons (with bad breath). The two genies have 3 wishes an episode to bestow, of course wishes go astray, are wasted frivolously, but a lesson is learned. Nothing new then, and some pretty standard 1001 nights fare, along with a geography-hopping sampling of almost any magical tradition anywhere. Ok, not so worried about that, but there is a dad who eats popcorn – very suspicious. He may work in films. Big eyed anime influence, suburban values and cinema in-jokes. Does the obvious fun they had making this mean the stereotypes are somehow undone? Nope, but a popcorn munching genie is better than that 60s comedy dream of Barbara Eden.
Oh damn, there’s a prince in it, daft boy in specs – and now sitar fusion cartoon songs. I preferred the Beatles cartoon trip to India bit posted on my film course blog.
This is what we do on Sunday mornings…
Was reading and discussing with a comrade Dinesh Wadiwel about his stuff on animals in Marx, and took up discussion of the bit from Capital 1867 edn , cited by Endnotes 2, on animals as general equivalent (dropped in subsequent editions). This since I am giving a talk on related themes: Marx, Animals, India, a certain rhinoceros, in Senegal this Saturday.
But then I did a search of the phrasing (english trans of 1867 edn from Value Studies by Marx <download here>). There, discovered a bit of suspect website scrubbing.
Let me put it neutrally, and let the people decide <the people know I have nothing against Zizek, except for my polemic in Pantomime Terror, that is: (see here)
OK, this involves two instances of people we know using that quote. Nicole Pepperell’s one from her blog in 2008, and Slavoj Zizek from Less than Nothing in 2012. Of course there is no guarantee Zizek did not already use this phrase previously, because he has hardly ever had a thought that was not published two or three times (see below), but here the use of the exact same words does indicate some level of something more than general equivalence.
What do you all think? See the attached screenshots if you don’t want to follow up, the first exhibit is Nicole from Rough Theory <full post here
>, the second is SZ <Pdf here
Romping heterogeneity. Ba bah boom.
ahhh, and since SZ does the rerun thing so often, its also in a 2012 volume called God in Pain: Inversions of the Apocalypse
, with Boris Gunjević <here
AND syndicated in Italy and translated as a 2013 bog post: <here
and then it circulates unawares, we get “Žižek says” in <this
> otherwise fine piece:
Click on the image to get to Daily Motion to play. 55 mins. Thanks Raul Gschrey: it is on the same material as the last section of the book Pantomime Terror
There’s a whole section on Wagner in this, and some humour. For the record… (you can order by clicking the cover to get to Zero then look for the sales tab lower right):