- What is it to give offence? To insult with intent? To use insults as a mode of revenge? Are these only insults or always also weapons of mass destruction?
- What is humour in a time of war? Humour and culture – from the Keep Calm slogans to the Je Suis Charlie and ‘pardon’ image. The aesthetics and context of cartoons, and what can be said inside a box and not elsewhere.
- On cartoonists, translators, books, mosques, persons, countries, faith.
- Irony and contradiction. Freedom fighters opposing freedom of speech, and vice versa. The recoding of events as freedom of speech versus terror (Spivak 2002). Binary thinking that opposes civilisation and barbarism, liberalism and fundamentalism, occident and orient (Kay 2015) or medieval and modern, uneducated or sophisticated, religious and secular (Miller 2015).
- What is revenge? Militarily and culturally? Can anyone win in this sphere? Or are we dealing with perpetual war? – as distraction for other more fundamentally economic interests? Taking sides (Kumar 2015) and anti-racism, anti-imperialism, justice and the creation of Death Squads as traps for alienated youth (Chandan 2015).
[pic is of the collaborationist newspaper of the French Nazi’s edited for several years ’43-44 by Antoine Cousteau (yep, Jacques’ brother)]
I had noticed that the initials of “I Am Charlie” are an anagram of CIA, and yes, you can be a patsie and guilty, and for sure the death squads are tools of wider interests, but this is too hit and miss not to be disturbing. Which bits count as evidence, which speculation? Classified between zionist assets and conspiracy theory, these four items make it into the Pantomime Terror file. Thanks to DE, AW, SC and MB for them drawing my attention.
‘Music & Politics’ with John Pandit from Asian Dub Foundation and Aki Nawaz from Fun-Da-Mental
Wednesday 8th October, 7pm
Entry £3, redeemable against any purchase
Tucked in a side street in London Bridge today, a police stand handing out devices which I suspect.
I suspect an effort to distract from this evening’s BBCLondon report that Scotland Yard’s heavily redacted Operation Tiberius investigation covers up the exposure of 42 senior cops (and 19 former cops) for close links with drug crime and contract killings.
It is our duty, we are told: if you suspect it, report it.
On offer: this little show-bag of stuff from the dodgy non-uniform suits who refused to be photographed. I guess the key ring for terror is handy because I so want to be carrying that number around with me as a permanent anxiety reminder. That it came in what seems to be a used gram bag may only be coincidentally linked with the – let me repeat – exposure today that 42 members of the senior police were well paid crime syndicate stooges – as revealed in documents from Operation Tiberius previously heavily redacted by Scotland Yard but exposed tonight by BBCLondon.
The pen speaks for itself, was it previously used to sign payola cheques perhaps? I suspect it, so I report it.
And this one just really is the perfect Fathers Day Trinket, no?
FFS, I say, for fucks sake. Get these people a water cannon as soon as possible. Anyone need a news item to distract from the – did I mention – massive exposure of senior cops linked to crime syndicates?
Trinketization as damage control.
DIY Anti War Drones and more:
A brief review from Mark Perryman (Philosophy Football) on Socialist Unity where I am sandwiched between words on Arun Kundnani’s book (which I read and think is really good) and Andrew Hussey’s book (which I’ve not yet read):
“Arun Kundnani’s ‘The Muslims are Coming!’ links together the experience of Islamophobia, the framing of extremism/fundamentalism and the ongoing global impact of the west’s so-called ‘War on Terror’. Here the left is grappling with subjects it is more at ease with understanding, though the depth to which it is transformed via that process remains in question. An insight into what that transformation might look like is provided by John Hutnyk’s ‘Pantomime Terror‘ which imaginatively records how popular culture has been affected by a post 9/11 world and on occasion has offered signs of resisting the reactionary, racist, consequences of that process. The urgent necessity for this kind of engagement is established brilliantly by Andrew Hussey’s new book ‘The French Intifada’.”
I regret the reviewers have not noted the critiques of Zizek, Badiou and Buck-Morss in mine, or the importance of Spivak and Adorno to my argument, or the coda on Wagner, but still very good to have. See here. Thanks Mark.