For those in need of an alternative to Gurinder Chadha’s Viceroy’s House, in April 2017 we will get the Hindi film Begum Jaan, I hope soon also for a UK release. It is a remake of Rajkahini by the same director, Srijit Mukherji.
Impressed that the fire stuntsperson managed a fair impersonation of the map of india in this scene from the trailer.
Watch the trailer here.
Since Begum Jaan ‘is the Hindi adapted version of Bengali movie Rajkahini’, the promoters have taken the remake principle to heart as a marketing strategy by staging a debate as to who is the better Begum, Vidya Balan or Rituparna Sengupta?? See here for the way to beat this up into a smart promotional angle with a series of other character match-ups.
The trailer for Rajkahini (2015) is here, of course with Tagore song…:
and if you are into mapmaking its a tragic feast…
With a funky graphic interface (this screenshot does not do it justice – click through to the site) – Anand Patwardhan, Shyam Benegal, Paromita Vohra and more:
Pretty excited to find parts of the FilmIndia archive online, especially 1948 with a (idiosyncratic) review of Sunny’s Mela (stars Nargis and Dilip Kumar). Also I am quite taken by the concept of ’emotional masochism’ used to describe the film. Other films reviews are in a caustic tone, with the phrase ‘hotch-potch’ appearing in at least three article titles I read, and ‘hotch-potch of coincidences’ possibly the most often repeated phrase. But great details, covers, and things not to be forgotten. Full credit for making this available (John McElwee donation to the Media History Digital Library, scanned from the collection of the Museum of Modern Art Library). A lock on resources, but opened up a little, thanks heaps.
Of haircuts and Rhino coats…
This is the worked up text of a talk I gave in Chandernagore in February 2016. The photo is one I’ve failed to trace from the dates and evidence in the letters (see below) of the visit to the barber – if anyone is good at that sort of tracking, please let me know, the photographer of the first one is E. Dutertre, and the second, if authentic, probably the same.
Click here to read the draft chapter
War criminal notes.
Someone scratched out his eyes.
Apparently when the note is wet and rubbed with a coin, the ink comes off. Still legal tender – money itself is not the greatest evil, but illusions in piggy pollies must be criticised.
Am gearing up for another round of kiddy tv and hoping there are new programmes since the mind worms of Iggle Piggle and Peppa Pig did their damage. This time Theodor and I are reviewing the options for Annabel’s rapidly arriving toddler indoctrination sessions. First exhibit on review is Nicklodious’s ‘Shimmer and Shine’.
Flying carpets, shalwar kameez, wayang kulit shadow puppets, princesses and dragons (with bad breath). The two genies have 3 wishes an episode to bestow, of course wishes go astray, are wasted frivolously, but a lesson is learned. Nothing new then, and some pretty standard 1001 nights fare, along with a geography-hopping sampling of almost any magical tradition anywhere. Ok, not so worried about that, but there is a dad who eats popcorn – very suspicious. He may work in films. Big eyed anime influence, suburban values and cinema in-jokes. Does the obvious fun they had making this mean the stereotypes are somehow undone? Nope, but a popcorn munching genie is better than that 60s comedy dream of Barbara Eden.
Oh damn, there’s a prince in it, daft boy in specs – and now sitar fusion cartoon songs. I preferred the Beatles cartoon trip to India bit posted on my film course blog.
This is what we do on Sunday mornings…