“GOD IS NOT DEAD!” 8.10.2012 Goldsmiths NAB LG02 Film and Q and A with the director and others

“GOD IS NOT DEAD!”

EUROPEAN/WORLD PREMIERE – Monday 8 October 2012 6:30

GOLDSMITHS, UNIVERSITY OF LONDON, CENTRE FOR CULTURAL STUDIES

THE FILM

Directed by young Turkish filmmaker Bahar Kılıç, “GOD IS NOT DEAD!” is a journey that cuts across the realms of music, politics and intercultural dialogue.

Shot in London, Berlin, Frankfurt and Istanbul, the documentary investigates European Muslims’ resistance against the epidemic of “Islamophobia” and their endeavour to transform the demonized visage of Islam in the West through music, creative expression, political activism and redefining the concept of “hybridity”.

The incredibly diverse stances, creative practices and routes of thinking displayed by the people in focus of “GOD IS NOT DEAD!” demonstrate a wealth that is unknown not only to the Western world who is prone to be infected by the virus of cultural exclusivist discourses but also to the Orient who’s suffering from amnesia.

“GOD IS NOT DEAD!” features exclusive interviews with and footage from Fun^Da^Mental and Aki Nawaz, The Kominas, Poetic Pilgrimage, Mecca2Medina, Mohammed Yahya, Nomadic Poet (The Planets), Quest Rah, Style Islam (Melih and Yeliz Kesmen), Sayfoudin (Germany) and Professor John Hutnyk (Goldsmiths, University of London).

THE EVENT

The European & World premiere of GOD IS NOT DEAD! will take place on October 8th, at Goldsmiths, University of London Centre for Cultural Studies.

The screening will be followed by a Q&A Session with the director, the creative staff and featured names.
The event is FREE OF CHARGE.

All free thinkers and “rebels with noble causes” are welcome to join us. New Academic Building LG02

(Goldsmiths NAB LG02 – that’s the big newish building on the hill behind the back field. Walk through the main building and up the path, and up the stairs beside the gym. In the door, and downstairs to the big auditorium. NAB LG02 New Academic Building LG02. See you there.)

http://www.gold.ac.uk/calendar/?id=5707

Federici 12.11.12

CCS event:

Dear friends and comrades (please forward to other groups and networks and help spread the word)

Save the date: Monday 12 November – 6.00pm
Goldsmiths University
New Academic Building, Room LG02
New Cross, London

Public Lecture by Silvia Federici
and launch of her new book – Revolution at Point Zero: Housework, Reproduction, and Feminist Struggle (PM Press, 2012)


Written between 1974 and the present, Revolution at Point Zero collects forty years of research and theorizing on the nature of housework, social reproduction, and women’s struggles on this terrain—to escape it, to better its conditions, to reconstruct it in ways that provide an alternative to capitalist relations. Indeed, as Federici reveals, behind the capitalist organization of work and the contradictions inherent in “alienated labor” is an explosive ground zero for revolutionary practice upon which are decided the daily realities of our collective reproduction. Beginning with Federici’s organizational work in the Wages for Housework movement, the essays collected here unravel the power and politics of wide but related issues including the international restructuring of reproductive work and its effects on the sexual division of labor, the globalization of care work and sex work, the crisis of elder care, the development of affective labor, and the politics of the commons.

About Silvia
Silvia Federici is a feminist writer, teacher, and militant. In 1972, she was cofounder of the International Feminist Collective, which launched the Wages for Housework campaign internationally. With other members of Wages for Housework, like Mariarosa Dalla Costa and Selma James, and with feminist authors like Maria Mies and Vandana Shiva, Federici has been instrumental in developing the concept of “reproduction” as a key to class relations of exploitation and domination in local and global contexts, and as central to forms of autonomy and the commons. She is the author of Caliban and the Witch: Women, the Body and Primitive Accumulation (Autonomedia, 2004)

In the 1990s, after a period of teaching and research in Nigeria, she was active in the anti-globalization movement and the U.S. anti-death penalty movement. She is one of the cofounders of the Committee for Academic Freedom in Africa, an organization dedicated to generating support for the struggles of students and teachers in Africa against the structural adjustment of African economies and education systems. From 1987 to 2005, she also taught international studies, women’s studies, and political philosophy courses at Hofstra University in Hempstead, NY.

Her decades of research and political organizing accompanies a long list of publications on philosophy and feminist theory, women’s history, education, culture, international politics, and more recently on the worldwide struggle against capitalist globalization and for a feminist reconstruction of the commons. Her steadfast commitment to these issues resounds in her focus on autonomy and her emphasis on the power of what she calls self-reproducing movements as a challenge to capitalism through the construction of new social relations

Tommy Smith, Peter Norman and John Carlos.

Let the Olympiss games begin – remember Tommy Smith and John Carlos showing support for Muhammed Ali’s anti-Vietnam war stance, against poverty and lynching, for Black power, part of the Olympic Project for Human Rights – see http://www.good.is/post/fists-of-freedom-an-olympic-story-not-taught-in-schools/ – which also brings to light a little known factoid making it worth remembering that the white guy who came second in the 200 metres that day was a runner from Melbourne named Peter Norman. Norman supported the protest, citing Australia’s mistreatment of indigenous people, by ‘pinning an OPHR patch onto his chest to show his solidarity on the medal stand’.

I like this because solidarity is not showboating, its standing alongside in support. Smith, Norman, Carlos: 1,2,3.

Remember Peter Norman:

http://blackathlete.net/artman2/publish/Cubefour_3/Remembering_Peter_Norman_2426.shtml

Joy Devotion

http://www.joydevotion.com/2012/06/joy-devotion-july-19th-at-xoyo-in.html

 

 

Joy Devotion: A Year in the Life of a Rock Shrine at the Ian Curtis Memorial Stone On July 19, 2012, XOYO Gallery is proud to announce the opening of a new show, Joy Devotion: Trash, Trinkets and Tributes at the Ian Curtis Memorial Stone.

Taken on the 18th of every month for a year between 2009-10 (including the 30th anniversary of Curtis’s death), Joy Devotion documents the evolution of death- and of memory. The trinkets, tributes and trash on the Curtis memorial stone is in constant flux, reflecting the ever migrating myth of the vocalist himself- a harsh and glaring contrast to the finality of death. Joy Devotion captures for the first time the year in the life of the rock shrine- existing almost as a destination unto itself. With each visitor, identity, ‘memory’, meaning and the legacy of Curtis and Joy Division changes and flows- similar to the seasons rotating, the movement in the landscape of the cemetery itself.

Located just over 15 miles outside of the English hub of Manchester, Macclesfield was the home of the late singer and lyricist Ian Curtis, front man for post-punk pioneers Joy Division. The ashes of Curtis are now buried minutes away from where he lived, at the Macclesfield Cemetery and Crematorium. Though it has been over 30 years since he took his life, an estimated 2,000 people annually make their way to the small, quaint Northern town, on a quest to pay homage to Curtis. Travelling from as far flung destinations as Japan, Texas and Australia, fans embark on sonic pilgrimages to walk the streets that inspired Curtis, see the house where he once inhabited- and pay their respects at Curtis’s memorial stone.

As a part of her PhD research, photographer Jennifer Otter captured images of fans, flowers and fauna every month over the course of a year. Joy Devotion marks the first time the pictures have been showcased together on display for the public.

For more information, please contact Jennyo@JKOMedia.com or go to http://joydevotion.blogspot.co.uk. XOYO Gallery is located at 32-37 Cowper Street, London EC2A 4AP, http://xoyo.co.uk/gallery

Joy Devotion

http://www.joydevotion.com/2012/06/joy-devotion-july-19th-at-xoyo-in.html

 

 

Joy Devotion: A Year in the Life of a Rock Shrine at the Ian Curtis Memorial Stone On July 19, 2012, XOYO Gallery is proud to announce the opening of a new show, Joy Devotion: Trash, Trinkets and Tributes at the Ian Curtis Memorial Stone.

Taken on the 18th of every month for a year between 2009-10 (including the 30th anniversary of Curtis’s death), Joy Devotion documents the evolution of death- and of memory. The trinkets, tributes and trash on the Curtis memorial stone is in constant flux, reflecting the ever migrating myth of the vocalist himself- a harsh and glaring contrast to the finality of death. Joy Devotion captures for the first time the year in the life of the rock shrine- existing almost as a destination unto itself. With each visitor, identity, ‘memory’, meaning and the legacy of Curtis and Joy Division changes and flows- similar to the seasons rotating, the movement in the landscape of the cemetery itself.

Located just over 15 miles outside of the English hub of Manchester, Macclesfield was the home of the late singer and lyricist Ian Curtis, front man for post-punk pioneers Joy Division. The ashes of Curtis are now buried minutes away from where he lived, at the Macclesfield Cemetery and Crematorium. Though it has been over 30 years since he took his life, an estimated 2,000 people annually make their way to the small, quaint Northern town, on a quest to pay homage to Curtis. Travelling from as far flung destinations as Japan, Texas and Australia, fans embark on sonic pilgrimages to walk the streets that inspired Curtis, see the house where he once inhabited- and pay their respects at Curtis’s memorial stone.

As a part of her PhD research, photographer Jennifer Otter captured images of fans, flowers and fauna every month over the course of a year. Joy Devotion marks the first time the pictures have been showcased together on display for the public.

For more information, please contact Jennyo@JKOMedia.com or go to http://joydevotion.blogspot.co.uk. XOYO Gallery is located at 32-37 Cowper Street, London EC2A 4AP, http://xoyo.co.uk/gallery

Stephen Turner at Goldsmiths 26.6.2012 at 5pm

New post on University For Strategic Optimism

The Indigenous Commons // 26/06 5pm // Goldsmiths

by flashbank

EVENT: The Indigenous Commons

26th June // 5pm // RHB 251 // Goldsmiths, University of London

Dr. Stephen Turner (University of Auckland)

In association with Centre for Cultural Studies and Centre for Postcolonial Studies 

No registration necessary, Drinks to follow

 

The Indigenous Commons of Aoteroa New Zealand

In the context of the worldwide Occupy movement, what does it mean to occupy an already occupied country?  It suggests a recovery, however temporary, of common space, which in Aotearoa New Zealand is inseparable from a notion of an Indigenous commons. The basis of such a commons is the long history of Maori inhabitation of the country, which encompasses the short history of non-Maori (Pakeha) occupation.  The ontological substrate of long history, encompassing multiple lands, peoples and histories, asks everybody to consider the grounds on which they stand.  At base, these are grounds of Indigenous right which cannot be extended by the nation-state, whose authority is questioned on the still-existing grounds of long history.  Based in reciprocity rather than rights, relations not entities, attributes not properties, Maori sovereignty suggests a right way and right-of-way – tikanga. Tikanga (tika means ‘right) does not imply human rights but the right way to go about the place, in terms of which the ordinary people of the place (‘Maori’ means ordinary) consider that they flourish.  The idea of an existing law that would, and did in retrospect, secure that ‘right’ is what I call ‘first law’, following Maori commentators; its latter-day expression is the possibility of a ‘full law’, which binds material and spiritual worlds in the mind-heart of Maori community. The mind-heart of place-based community, and the host-guest relation that initiates strangers, is what non-Maori (Pakeha) are asked to subscribe to as second-comers.

 

Collective well-being, now inscribed in the Indigenous-minded constitutions of Bolivia and Equador, depends more deeply on a sense of injury and lack of care than a violation of more instrumental human rights. In New Zealand the deficits of settler ignorance are threefold: a constitutional deficit, due to an acknowledged but unenforceable nineteenth-century Treaty; an historiographical deficit, where long history is read in terms of short history of a nation-state coming-to-be; and an existential deficit, where majority Pakeha act out of dread and, more recently, terror, in the face of Indigenous claims to independence. As against an economistic political economy of settler identity, where property and individual rights follow the nation-state’s self-assertion, I pose the challenge of consubstantial sovereignty, and post-capital politics. Occupy in New Zealand recalls an already occupied country, an Indigenous commons, today shared by others, but rent by parliamentary enclosure and representative segregation. Granting Maori an ontological alterity is insufficiently attentive to this commonly shared place, and to the non-state grounds of its political constitution. Nor does collective well-being oppose capital as such, but rather opposes settler-centricity and claims to co-equal indigeneity. I thereby consider the political, cultural and economic implications of attribute- rather property-based Indigenous rights.  And because the constitution of the state refuses the ontological substrate of long history, which is its whole human inhabitation, I consider the possibility of constitutionalising non-state Indigenous relations, as a means of exit from the compulsory nationalism of settler-colonialism.

Stephen Turner

University of Auckland

 

Part of the Postgraduate Conference: Taking Up Space

Taking up Space  — Cultural Studies Postgraduate Event 
25th – 26th June 2012

Centre for Cultural Studies (CCS) / MA in Cultural Studies

A one/two day conference exploring the meaning and understanding of space in its physical manifestations as well as in its discursive forms; through which identity, meaning, value and authority can be mapped in particular ways.

http://takingupspace2012.blogspot.co.uk/

 

Goldsmiths location and campus map: http://www.gold.ac.uk/find-us/

Enquiries: john.hutnyk@gold.ac.uk

flashbank | June 16, 2012 at 3:37 pm | Categories: Uncategorized | URL: http://wp.me/p1dbfG-h7

 

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