Mrinal Sen’s great film Interview begins with a few shots of the removal of colonial statues from the Maidan in Calcutta, shipped off to a closed space in Barrackpur Cantonment. You can enable the player here and watch the film (and so many others, its a treat):
From the vaults, this has been digitised:
‘Calcutta Cipher: Travellers and the City’ in Social Analysis: The International Journal of Social and Cultural Practice, No. 32 (December 1992), pp. 53-65
Am pretty sure this page below is a kind of compliment, though it is an uneasy one. As I have said directly, never meant for there not to be many more inscriptions – how could I be the one to hold back the delude (apres moi?). Of course there should never be no reason to stop writing, just sometimes we could stop anthropologising (a moratorium on fieldwork!) and I always hope to write better, a forlorn task. Stereotypes-stereohypes, they keep getting back up again:
From the book by Ananya Roy 2003 “City Requiem, Calcutta: Gender and the Politics of Poverty” Uni of Minnesota Press, which, despite my being cast as the paralyser, also ends with some beautiful lines that capture what I to was trying to do: ‘ my narrative of the city … can only be one of multiple and irreconcilable iterations’ Ananya Roy. As I think was expressed already in Ashis Nandy’s comment on the back cover of ‘The Rumour’.