Note: The same day as this
Note: The same day as this
An evening of film screenings, discussion examining the experiences of Tunisian migrants during and after the Arab Spring of 2011. The event which includes a drinks reception will celebrate the launch of Spaces in Migration: Postcards of a Revolution edited by Glenda Garelli, Federica Sossi and Martina Tazzioli (Pavement Books, 2013).
Two films looking at life in the refugee camp at Choucha located on the Tunisian-Libyan border will be screened:
The first, a short made by the editors of Spaces in Migration during their visit to the camp in 2013. This will be followed by a brief discussion and introduction to the book which features interviews with those living in the camp alongside critical, philosophical reflections on the implications of various migrations and responses of European border control agencies which occurred in the wake of the Tunisian revolution together with the war in Libya. There will also be a skype link-up with Tunisian activists.
Babylon (Exit Productions, 2012) won the top prize at the FIDMarseille festival in 2012. Directed by ismaël, Youssef Chebbi, Ala Eddine Slim, the film eschews subtitles, pushing viewers to focus their attention on the cacophony of languages and sounds encountered in the camp together with the visual, physical forms of communication which accompany and supplement oral communication.
Attendance is free. All Welcome.
14 October 2013, 6pm.
The Cinema (small hall), Richard Hoggart Building, Goldsmiths,
University of London.
Copies of Spaces in Migration: Postcards of a Revolution will be on sale at the discount price of £10 (list price £15.99).
I guess the only other things to think about are the last minute alternate readings of the thesis scenario, where you anticipate possible objections by trying to guess what someone may ask in a viva – so, what is the key idea that is left out? is there a theoretical frame or metaphor or allegory that demands to be noticed that you might have ignored? Is there a theorist whose work would be really useful for this that probably should be used to bookend the whole thing? Would something else in cultural studies, say the concept of hegemony, gift, ideology, critique, symbolic, affect, ontology or memory, recast anything you are doing (just asking – none of these terms actually grabs me in any way that I think you need to deal with). Second set of doubts – is there an idea that could usefully recast the core thesis – ie, is the border usefully thought of as spectral (pace Derrida)? [i think not]. Is it about paranoia? [maybe]. Is it impacted by time? Modernity? Individualism? What do you think of the difference between critiques of racism/white supremacy and critiques of national chauvinism? Does this matter for border studies? Is there a border studies if the border is non-geographic? Does it make sense to talk of border at all?
The Three Burials of Melquiades Estrada (2005)
Sun 26 May, 2-4pm (15)
Winner of the Best Actor and Best Screenplay awards at Cannes 2005, Tommy Lee Jones’ directorial debut follows the story of Pete Perkins,
a ranch foreman in the high desert of west Texas who undertakes a dangerous and quixotic journey into Mexico.
Venue Museum of London Docklands see here.
Here, the good oil… click image to download the report