This very good review by Bruce Williams in Film-Philosophy.
Ewa Mazierska and Lars Kristensen (eds.) (2014) Marx at the Movies: Revisiting History, Theory and Practice, London: Palgrave Macmillan. 293 pp.
includes a nice summary of my chapter:
In the realm of the classical cinema, John Hutnyk’s ‘Citizen Marx/Kane’ draws a parallel between Citizen Kane and Marx’s book (218-243). When read together, these two seemingly disparate works symbiotically enrich the viewer’s understanding of both. Through an exploration of such notions as the allegory of property, philosophic biography, and the fetishisation of objects, Hutnyk asserts that a Hollywood classic like Kane can render Capital relevant to the present day. He illustrates that what we see in the film that is not in Marx’s book ‘is the personification of a class system’ (240). For Hutnyk, a Marxist reading of Welles’ film serves to debunk the obscuring of the oppressive regime of capital and the alibis in the name of philanthropy that capitalists deploy ‘for their acquisitive plunder’ (240).
Read the whole review: Bruce Williams in Film-Philosophy.