Pantomime Terror lecture abstract. Latest version, still to be worked up. I am rethinking all of this, its provisional, its hesitant, its giving me a headache (of course) and it has to be ready soon. Yikes. And this is supposed to be the fun part!….
We are called upon to ‘report any suspicious baggage’ by constant repetition of security announcements at train stations and airports. Rather than provide a robust security service, such announcements seem to generate a new low level and everyday paranoia. The war on terror is generalized and does not happen ‘over there’, but almost absentmindedly occurs to each of us everywhere: the paranoia infiltrates our everyday lives and become normalized. The terrorist is right there beside us – behind us, among us. Watch out! I will argue that these announcements are part of a new kind of popular culture pantomime, with villains and heroes, and absurd storytelling to boot. That this happens alongside new legislation, new legal and administrative powers (detention, DNA, CCTV, MI5 Security ‘notes’); and stop and search security policing focused upon Muslims (and unarmed Brazilians shot on the underground) is the dark underbelly of the performative. Restrictions on civil liberties and ‘limits’ to freedom are proclaimed as necessary and debates about these necessities no longer raise concern – we assume someone is watching out, and we will report the suspicious bags if we see them. It is clear that spaces for critical contest are mortally threatened in contemporary, tolerant, civilized Britain.
Exploring the metaphor of Pantomime might be a way to comprehend the dysfunctional aspect of present times. This discussion reviews critical work by the musician Aki Nawaz from the band Fun-da-Mental in the light of pantomime performance. Nawaz was castigated as a ‘Suicide Rapper’ for his 2006 album ‘All is War’, but those that did so missed the nuances of his critique. Fun-Da-Mental’s earlier work relating to insurgency struggles, anti-colonialism and political freedom in the UK is assessed and contrasted to the farcical present climate where a 23 year old woman can be incarcerated as a ‘lyrical terrorist’, and both a 16 year old boy and a Nottingham University researcher can face charges of terrorism for downloading material from the world wide web. It will be argued that we might best see this as a kind of bizarre storytelling scenography – where repetition and stereotype do ideological work for security services who have no idea who the real enemy is, or if there is any enemy at all. In demonizing those who would raise critical questions, the ban upon ‘thought crime’ has become very real. And it seems as if the only vocal outcry is musical.
In this context, the work of scholars that search for the meaning of ‘suicide bombing’ lines up alongside that of the MI5 Behavioural Sciences Unit in providing inadequate and insufficient understandings of the current conjuncture. If the opposition communicates in culture, and Whitehall’s Research Information and Communications Unit counter with ‘spin’, we are either in a grave predicament, or everyone is treating this as a game. Denouncing the demonization of Aki Nawaz and the like as equal to the creation of pantomime villains, the presentation will argue for a more engaged critique of “culture” and assess a certain distance or gap between emancipatory political expression and the tamed versions of multiculturalism accepted by/acceptable in the British marketplace.
Invite to the lecture here. [The picture is from the Guardian news report on the MI5 behavioural Science Unit Operational Briefing ‘note’ which informed us that terrorists are ethnically ‘diverse’, mostly british nationals, not ‘mad and bad’ and might be either male or female, young or old, and have a range of qualifications from none to degree-level… Guardian 21.08.08]