Videos

Click these links or more below for videotaped lectures or talks:

Pantomime Terror – inaugural Professorial Lecture 30.9.2008 Goldsmiths

Culture Now in conversation with Antony Gormley at ICA feb 2013

On 26 Jan 2013, a talk at Tate Modern on the Sharjah Art Foundation Biennale proposed theme of New Cultural Cartographies.

There are lectures on Capital, but they need an edit (wealthy benefactor-fat-cat types are welcome to chip in so we can hire Tarek to cut them – c’mon, be your own aufhebung).

 

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Pantomime Terror Lecture 30.9.2008

This, here, for the gnawing criticism of the mice, is my inaugural Professorial lecture at Goldsmiths September 30 2008. Details: presented by Professor John Hutnyk of the Centre for Cultural Studies at Goldsmiths. Title: ‘Pantomime Terror: the paranoid commuter and the danger of music’. Introduced by Professor Geoffrey Crossick. Please note there is a missing part at 48;38 where there was a tape changeover. At this point its important to know I discussed the Fun^da^mental video DIY Cookbook, available here: http://dai.ly/aZeu7n and there is a bit of the discussion is missing, but covered in this blog post:http://hutnyk.wordpress.com/2007/05/12/cookbook-diy-video/ – sorry its complicated, but if you like the first 48 mins, then why not watch the short 3 min FDM vid, read the short blog, then return for the eccentric finale! Thanks heaps to Adela for filming this.  http://wp.me/pcKI3-1gc

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Pantomime Terror MIA as Provocateur (Geissen Lecture): 21 Nov 2013

21 Nov 2013 Die Veranstaltung war in der Universitätsbibliothek, in der “grenzlinien” Ausstellung statt.

A ‘cultural project’ runs alongside the war on terror and impacts upon a diverse range of practices, from the militarisation of public policy, through to entertainment, cinema and the music industry (Bhattacharyya 1998:293, 299; 2008, 92). Thus, there might be reason to revisit Walter Benjamin’s essay on the now near impossible role of the storyteller as the site of critique and an alternative to ‘Total War’. The storytelling I have in mind involves a mainstream pop music video that uses humour, gimmicky effects and provocations that stress or otherwise reveal our anxieties. The performer-curator and musician Mathangi Maya Arulpragasam, also known as M.I.A, features as main focus: herself conceived as a prankster character, aiming to undo the unexamined comforts of power, in ways which need to be analysed.

I will examine M.I.A.’s collaboration with Romain Gavras on Born Free (2010) to investigate the way stereotypes that are knocked down seem to threaten to just get right back up again. I take the controversy over M.I.A.’s work as exemplary for a survey of the absurd and often worrying scrapes British South Asian musicians have gotten themselves into under the new civil (un)liberties environment in the contemporary multicultural city and argue that if we can agree that the co-constitution of the war ‘over here’ and ‘over there’ should be recognised differently, then our responses may also need to be different.From the book: http://hutnyk.wordpress.com/2013/12/17/pantomime-terror-music-politics/

 

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Towards a new Cultural Cartography: Tate Modern 26.1.2013

26 January 2013 Tate Modern Towards a new Cultural Cartography: For this year’s Biennial, which will run from March and to May 2013, Hasegawa proposes ‘a selection of artworks that reassess the Western centrism of knowledge in modern times’. Starting from the metaphor of the courtyard in Islamic architecture, her project focuses on exploring the complexity and diversity of cultures, societies and politics. She calls for a gathering of architects, designers, creators and artists, who will bring together different perspectives and challenge viewers to seek new knowledge by sharing ideas.

In holding a preview debate in London, Tate and The Sharjah Art Foundation open the floor to important questions about international contemporary art that are often simplified, subsumed or ignored. Wael Shawky, one of the participating artists, will talk about his work in relation to transregional politics, religion and history. Sarat Maharaj will explore the notion of ‘new cartographies’, which Hasegawa considers crucial to our understanding of the complexities of global developments in art. Speakers include: Hoor Al-Qasimi, President, Sharjah Art Foundation; Yuko Hasegawa, Curator, Sharjah Biennial 11; Wael Shawky, participating artist; academics and writers Sarat Maharaj and John Hutnyk in conversation; and a question and answer session chaired by Marko Daniel, Tate. Part 6: http://bcove.me/fvugf4wg Part 7: Discussion The entire event: here.

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Culture Now in conversation with Antony Gormley at ICA feb 2013

Video: http://youtu.be/1bE6Ko95faM

Culture Now
26/02/2013
Antony Gormley in conversation with Professor John Hutnyk and Hugh Brody on the subject of Gormley’s Fourth Plinth commission – ‘One & Other’ in 2009.

Screen shot 2013-05-14 at 14.43.25
Culture Now: Antony Gormley
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