Category Archives: pranks

Pantomime Terror – pre-order

Screen shot 2013-11-13 at 11.22.40Click here to preorder: http://www.zero-books.net/books/pantomime-terror

 

the end of …

the end of the chorus

the end of the audience

the end of intimacy

the end of theatre

the end of art

the end of the aura

the end of the copy

the end of means

the end of language

the end of parody

the end of vision

the end of Sokrates

the end of comedy

the end of orientalism

the end of materiality

the end of history

the end of lists

((note from the end session of Impossibility or Novelty? (re)Creating the Old and Consuming the New. – FU Berlin 9 Nov 2013))

Brand Over Pax

Is it only my dysfunctional take on things that makes me see this as the ‘dream-work’ of the war on terror?

‘do you think that’s really bad?’

‘you’re just having a go at me coz I’m not poor anymore’

 

Pirate Party. Posters as good as their chances.

20130922-174054.jpg

Culture Now iconversation with Antony Gormley at ICA feb 2013

Culture Now
26/02/2013
Antony Gormley in conversation with Professor John Hutnyk and Hugh Brody on the subject of Gormley’s Fourth Plinth commission – ‘One & Other’ in 2009.

Screen shot 2013-05-14 at 14.43.25
Culture Now: Antony Gormley
.

review of CCS grad Dr Craig Smith in Washington Post

This piece by Philip Kennicott was published August 15 2012 here.

[read the whole text by clicking the link above - the part about Craig is here]: But what if such things fell into the hands of bad people? The answer to that is addressed in fascinating, elliptical ways by the most conceptually complicated project on display, “FireSale©TM,” by Colin Beatty and Craig Smith, who operate as the collective SmithBeatty. The project involves purchasing a gun, disassembling it and mailing its pieces to “33 stakeholders, including museum directors, art curators, artists, university professors, lawyers and a weapons manufacturer president.” The pieces are defined as shares in a corporation and beautifully packaged into sturdy cases. Recipients aren’t asked whether they want to participate, and when the collective issues a call on the shares — the gun pieces — the participants can ignore the whole thing or return the gun parts as asked, which are then reassembled.

The inevitable “missing” pieces are manufactured using a 3-D printer, a powerful technology that may at some point allow almost anything to be reproduced at home using digital design files readily found on the Internet. In the case of “FireSale©TM” — which includes extensive and beautifully rendered documentation of the project, a blog on which participants record their reactions, and the gun pieces (or their 3-D printer substitutes) — the missing gun elements, made from a fragile white plastic compound, are not functional.

But with apparently credible reports that 3-D hobbyists have managed to use more sophisticated iterations of the technology to create the essential operating element of an M16 — heralded by some observers as “the end of gun control” — the dark side of SmithBeatty’s work is obvious. If you have the right specifications, at some point you could “print” yourself enough firepower to topple governments. Perhaps.

The positive, practical elements of this technology are obvious: Surgical tools could be available in remote locations; easily acquired replacement parts might put an end to landfills stuffed with barely broken toasters. But there’s a deeper utopian element in how SmithBeatty conceived its game. By structuring the project as a corporation, the duo demonstrates how the complexity of human interaction may be the greatest brake on our collective suicide. The busy executive who tosses out his piece of this gun effectively stops the reassembly. Only complete participation — almost impossible to get in any project — can yield a functioning gun. At least for now, but perhaps not for long if 3-D technology is sufficiently advanced.

If nothing else, “FireSale©TM” makes us aware of how we are invested, wittingly or not, willingly or not, in our collective destiny. Technology drives us forward in a magnificent spectacle of human accomplishment, yet it propels us toward ever-more apocalyptic possibilities. The artist’s role — one role, at least — is to warn us about these dark possibilities, before Rubicons are breached that can never be uncrossed. If you don’t like a world filled with guns bought at gun shows, over the Internet or at mom-and-pop corner shops, imagine a world — what is being called the “Thingiverse” — in which almost anything can be replicated by anyone, anywhere. We will have democratized our world all the way back to Thomas Hobbes’s jungle of violence and despair.
And so technology, progress and enlightenment make and undo us. Rousseau has been warning us about the dangers since his 1750 “Discourse on the Sciences and Arts.” Then, as now, it’s tempting to retreat into a shell, to focus on the self and feeling and the near-at-hand world, and hope the rest of this vast system takes care of itself. It won’t, of course, which is why we need exhibitions such as “Manifest: Armed.”

 

Manifest: Armed [was] at the Corcoran’s Gallery 31 space through Sept. 2. Call 202-639-1700 or visitwww.corcoran.org.

What other CCS graduates have been up to is here

I am Fiction

For those in Denmark – get to CPH:DOX for I am Fiction (click image to be transported to the CPH:DOX page):

 

#madconference number 137

Somehow I have been targeted by pranksters who keep making up neoliberal sounding fictive conferences that could not possibly exist even in this benighted corporatized world. This one is a spoof on the UfSO, no? The fee is £395, with a whopping £70 off if you are gullible enough to even consider going to this bore-a-thon. ‘opportunities to network’ – wow.

 

SURVEILLANCE CHESS Hijacking CCTV Cameras in London #goforgold #London2012

I have always said Chess would be my Olympic Sport. Here is how I want to play. #goforgold #London2012

SURVEILLANCE CHESS
Hijacking CCTV Cameras in London
___________________________________________________________

Equipped with an interfering transmitter !Mediengruppe
Bitnik hacks surveillance cameras in pre-Olympic London and
assumes control. The artist collective replaces real-time
surveillance images with an invitation to play a game of
chess. The security staff’s surveillance monitor located in
the control room becomes a game console.

HTTP://CHESS.BITNIK.ORG
___________________________________________________________
___________________________________________________________

London. On the brink of the Olympic Games. A tube station
in one of the most surveilled public spaces in the world.
!Mediengruppe Bitnik intercepts the signal of a surveillance
camera: Business people making their way to the Underground,
a man in a suit looking for the right exit. From the left,
a woman with a yellow suitcase walks into the frame of the
surveillance camera. She opens her suitcase and activates a
switch. This is the moment when Bitnik takes over. The CCTV
operator experiences total loss of control. The surveillance
image drops out, a chess board appears on the surveillance
monitor and a voice from the loudspeakers says: «I am
controlling your CCTV camera now. I am the one with the
yellow suitcase.» The image jumps back to the woman with
the yellow suitcase. Then the image switches to the chess
board.«How about a game of chess?», the voice asks. «You
are white. I am black. Call me or text me to make your move.
This is my number: 07582460851.»
___________________________________________________________
___________________________________________________________
___________________________________________________________

SURVEILLANCE CHESS – THE VIDEO
http://chess.bitnik.org

ABOUT
http://chess.bitnik.org/about.html

EXHIBITION
Zürich, Helmhaus – from 28 July to 9 September 2012

WITH LOVE FROM ZURICH.
!Mediengruppe Bitnik

Zurker the Zucker(berg) punch…

Still a lot to be worked out but OK, why not gamble on FB not even being here in 8 years (as reported in the SMH today) and join this other (maybe nicer) pyramid scheme social networking site. I’m happy enough to say my invite is from Stewart Home – so get in early enough and it might not fall over on you – link page here: http://www.zurker.co.uk/i-226925-yvgyvoykwn

Naming rights for the General Intellect

Facebook voting questionnaires are just (for) tools, but I could not resist this one. Won’t they have a surprise when they wake up in the morning to smell the coffee.

click her to vote

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