Category Archives: India

Danish colonial ties

Danskemaritime

Some maritime gems in the library yesterday… ”Serampore had a certain importance to the illicit Anglo-Danish trade thanks to its facilities for anonymity and customs easements’ (Feldbaek 1969:199). Indeed, Feldbaek suggests that because of English East India Company restrictions, some 80-90% of goods sent from Bengal to Copenhagen were not consumed in Copenhagen, but moved along in various ways to London as the goods were shipped by English and Anglo-Indian traders working under Danish flags. In the late 18th century he suggests Serampore was more important than Tranquebar for the Asiatic trade (p232). This is in large part remittances because ‘by far the most part of the Anglo-Indian fortunes had to be sent to England through the foreign European companies (Feldbaek 1969:27) and banned ‘country trade’ by English EIC officials had been ‘driven underground and forced to seek cover of foreign European flags’ (Feldbaek 1969:11).

RELEASE JONATHAN BOARD – [Maoist] political prisoner in Kerala

Jonathan

India: Committee for the Release of Political Prisoners : An Appeal to International Community on behalf of Jonathan (Bold) Board

The Arrest of the Swiss citizen Jonathan Board who came to Kerala on tourist visa, by Kerala police on flimsy grounds, is highly discriminative and with ulterior motive.

After the arrest in order to justify the same Kerala police is fabricating canards, that Jonathan has link with Maoists and he has come to attend the memorial meeting organized by Maoists to show the respect towards the Maoist Guerilla fighter Sinoj who became martyr in an accidental explosion took place on june 16th of 2014.

The police also alleged that Jonathan addressed the meeting hence violated Foreigners Act.

The police has taken a case against him and incarcerated in the dungeon hole named Iringalakkuda Sub Jail,Thrissur District,Kerala.

I was the Chairperson of the Sinoj Memorial Committee that organized the meeting and was a main Speaker.

As the Chairperson I wish to state that Jonathan was neither an invitee to the meeting nor a speaker.

And he did not addressed the meeting as the police was trying to depict with a sinster view.

According to Jonathan, he came to the meeting only out of curiosity as he is a left lenient person.

He got the information of the meeting from an English Daily News Paper.

He listen to the speeches delivered in the meeting up to the end.

In the meantime he also purchased some English handbooks.

As the meeting was formerly over Jonathan himself approached the organizers and expressed his wish to introduce himself to the audience who was started disbursing.

Out of the same curiosity as the Chairperson I agreed to his longing.

He introduced himself and expressed that he also share our sorrow caused by Sinoj’s martyrdom. It was only a casual talk,any humanitarian from any corner of the World can express.

The police and the state which is a culprit in granting V.I.P treatment to the Italian marines who had violated the international water laws as well as Indian laws and shot two fishermen to death is now taking a different approach to meet their narrow political ends.

It is deplorable.

And I/We regret for the unfortunate faith met out with Jonathan, though created by state , and request to the progressive and democratic forces and personalities of International Community to intervene in Jonathan’s affair and put pressure on the India/Kerala governments and see that his release from the Jail unconditionally.

M.N Ravunni Vice President, Committee for the Release of Political Prisoners
Kerala, India

Originary accumulation Cap vol 1 page 752. LandW edn

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And crib notes for the class:

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The East as a Career – talk 22.5.2014

  • Logo Universität Hamburg

  • Institut für Volkskunde / Kulturanthropologie

  • 16. Mai 2014 | Studium und Lehre

    Do. 22.5. | Kollaboratives Forschen mit John Hutnyk

    John Hutnyk, London: “The East as a career: Marx Writing Capital and the Value of Bengal.”

    Um 18.15 Uhr in Raum 220

     

ENIG-MAS Rich Mix – Sat 17 May 2014 at 1pm Free / Main Space / Unreserved Seating

The play Enig-Mas asks: What is woman? What is man? Where does love lie when you’re on a political quest? What does it take to be a revolutionary? Set in 1930s India and Bengal and modern Britain in 2000s, Professor Raminder Kaur of University of Sussex, has written a new play inspired partly by the 1931 novel, Kuhelika (Enigma) by the renowned Indian writer and poet/ national poet of Bangladesh Kazi Nazrul Islam. This play puts a searing lens on relations between men and women in times of political turbulence. It is one of the plays in the new season from Mukul and Ghetto Tigers directed by Mukul Ahmed.

The story covers a period of 7 decades through generational and geographical connections, characters that are vastly separated by time and space, but intimately connected through blood and passion. It is partly set in 1930s pre-independent India and Bengal, and 2000s Britain. Jahangeer, an impressionable young man, is gradually turned into a protagonist of revolution against British colonial rule. His high-class Muslim background proves to be an asset in circumventing British surveillance when the main ‘trouble-makers’ are identified as Hindus, making a marked contrast to the present era. Through the play we witness with the characters, the joy and horrors of revolutionary struggle, the sacrifices and dangers as well games and dilemma of loyalties and personal pain and loss.

The play relates a series of incidents inextricably interlinked through sorrow, grief, humour and happiness. Love, hatred and extreme emotions are laid out in multiple scenarios and deeply moving music and dramatic style. It makes for a memorable theatre experience through a story that reaches out from the past and embraces the present with echoes and meaningful questions that probe who we were, what we have become and suggest possibilities for all our futures.


www.mukulandghettotigers.com

Uneasy Inhabitants

Photo

One night two summers ago, I was in a car speeding across the border into the eastern Indian state of Bihar. The unlit, pitch-black freeway didn’t deter traffic from barreling forward at breakneck speeds. In the inevitable accident, a young man was shredded by a truck. A politician showed up, but instead of taking charge, he distracted the police with laughter and gossip.

Preventable death or official callousness is not unique to Bihar, but this particular incident seemed, to me, typical. Bihar is a state that until recently took the troubles that bedevil all of India and amplified them to levels that were unbearable even by Indian standards. In Bihar, an accident was carnage and apathy was criminal neglect. Although matters have since improved, to survive, the poor still traffick their children and the rich still get out.

Few writers are better placed to examine this near-dystopian state of affairs than the novelist Amitava Kumar, a native son, although now a professor of English at Vassar College.

“A Matter of Rats” calls itself “a short biography of Patna,” the capital city of Bihar, but like Kumar’s other books, it is many (perhaps too many) things at once. A memoiristic essay that strives to reconcile his feelings for his hometown — despair on the one hand and concern on the other, for it is where his elderly parents still live. “There is no way to avoid it,” he admits. “When I step on Patna’s soil, I only want to see how much older my parents look.” It is an insider’s alternative to the scornful narratives of Patna made popular by Western writers, and which the author, with even greater scorn, calls “hysteria as travel writing.” It is also an adventure in pursuit of witnesses to stories both real and apocryphal — a 1967 visit by Marlon Brando, the rumor that Napoleon’s bed lies in a decrepit old Patna mansion. (There is a bed in Patna that belonged to a Napoleon, just not that Napoleon.)

It is, in all, an intimate and whimsical book, but one that truly shines when the author turns his gaze to the ordinary people who still live in Patna — the rat catchers of the lowly Musahar caste, the tutor who helps poor children crack the entrance tests to India’s exalted institutes of technology.

The chapter on the rat catchers is the book’s finest, skillfully evoking the circumstances of chaos, filth and absurdity in which even the city’s middle-class professionals are forced to live.

Patna’s vast number of rats, the author tells us in a marvelous bit of anthropomorphizing, appear like “stout ladies on tiny heels, on their way to the market.” Nurses at a city hospital play the radio at night in the hope of keeping the rats from nibbling their toes. The rats haven’t escaped the attention of a local bureaucrat. But instead of trying to get rid of them, he sets himself the loftier ambition of ending anti-rat prejudice. If middle-class people would only appreciate rats, he rationalizes, they would also appreciate the Musahars, who are condemned to catch the rats. A Musahar whom the author accompanies on a rat-catching expedition isn’t holding his breath for change. “High-minded abstractions weren’t among his pressing concerns,” Kumar tells us. “His worry was finding food for that day and the next.”

That food was rats.

A MATTER OF RATS

A Short Biography of Patna

By Amitava Kumar

116 pp. Duke University Press. $19.95.

Vision Mix 13.5.2014

visionFace to face (201)) Gigi Scaria [Digital print on archival paper. Image courtesy of the artist]

 

VisionMix international artists’ and filmmakers’ network presents a screening of

“VisionMix Short Cuts” film, followed by a Roundtable.

 

When: 19.00 to 21.00, Tuesday 13th May 2014 

Where: SOAS, University of London, Old Building Khalili Lecture Theatre

Thornhaugh Street, Russell Square London, WC1H 0XGhttp://www.soas.ac.uk/visitors/location/maps/

http://www.soas.ac.uk/ssai/events/13may2014-visionmix-short-cuts.html

 

VisionMix is an international network of video and sound installation artists and documentary filmmakers whose members are based in Delhi, Kolkata, Mumbai and London. Launched in October 2013, VisionMix’s aim is to explore the agency of the artist in lens-based media projects that are acts of resistance, investigating the relationship between the social responsiveness of ‘documentary’ practices, video installation art and other audio/visual art forms. Whether dealing with issues of gender, environmental challenges, migration or issues around ‘marginality’, the ways in which these works mobilize audiences invites questions about the methods used in their production. VisionMix is also planning exhibition-screenings and symposia in the UK and in India in 2015-17.

The film, “VisionMix Short Cuts”  (55 minutes) showcases 12 artists and filmmakers from the India-based members of VisionMix, whose directors have contributed samples of their work, and are interviewed about their practise. These are: Atul Bhalla, Sheba Chhachhi, Ranbir Kaleka, Priyanka Chhabra, Anupama Srinivasan, Sameera Jain, Gigi Scaria, Asim Waqif, Paramita Das, Moutushi, Avijit Mukul Kishore and Kavita Joshi. VisionMix’s curator (and director of this anthology) Lucia King, is an artist-filmmaker and researcher of South Asian artists’ non-fiction film practices, and will contextualize the film after the screening.

The post-screening roundtable invites the UK-based VisionMix associates to explore how local predicaments and today’s art (and non-fiction film) industries are contributing to the artists assumed forms of public intervention, the themes and tactics used in these projects. VisionMix welcomes students, curators, art historians, industry professionals, researchers, filmmakers, artists and those interested in new media developments on an international stage, to join this discussion.

For more information: lucia@luciaking.co.uk

Book Launch Daya Thussu Communicating India’s Soft Power: Buddha to Bollywood

DayapicBOOK LAUNCH

 

Communicating India’s Soft Power: Buddha to Bollywood

Professor Daya Thussu

 

Date: Thursday 8 May 2014, 6:30 pm

Venue: Nehru Centre, 8 South Audley Street, London W1K 1HF
http://www.nehrucentre.org.uk/contact-us.html

 

As the world’s largest democracy with a vibrant and pluralist media system, India offers an excellent case study of the power of culture and communication in the age of mediated international relations. This pioneering attempt – the first book-length study of India’s Soft Power – from an international communication/media perspective, fills the existing gap in scholarship as well as policy literature in this area. The book, published by Palgrave/Macmillan in New York in their prestigious Global Public Diplomacy series, has been described by Professor Ashis Nandy as an ‘excellent, comprehensive yet brief survey of the scope and limits of India’s Soft Power and the country’s changing status in global public culture and media’.

Daya Thussu is Professor of International Communication and Co-Director of the India Media Centre at the University of Westminster in London.  Professor Thussu has a PhD in International Relations from Jawaharlal Nehru University, New Delhi and he is the author or editor of 16 books and the founder and Managing Editor of the Sage journal Global Media and Communication.

The event will mark the formal launch of the book by Dr Virander Paul, Deputy High Commissioner of India in the UK, to be followed by a brief presentation about the book by the author and a discussion with Professor Lord Bhikhu Parekh about the issues raised in the book.

Channeling Cultures – a great new book edited by Abhijit Roy and Biswarup Sen (a chapter by me, and afterword by Arvind Rajagopal). Great to add to the growing chatter on TV and film in South Asia.

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Television plays a very important role in constructing and presenting images of Indian modernity. Channeling Cultures brings together scholars from various disciplines to locate television within multiple histories of the nation as well as current trajectories in global culture and politics. Building on analytical frameworks of postcoloniality, citizenship, democracy, development, globalization and consumerism, this volume addresses questions in televisual form, genre, identity, politics, affect, gender, body and sexuality, and explores regional, national, and global itineraries of Indian television.
Focusing on the genres of news, reality show, and soap opera, the book interrogates some of the standard assumptions of television studies and more broadly global media studies. It provides fresh perspectives on the transition of Indian television from a state monopoly to a market-driven system and liberalization’s nuanced relationships with Indian media in general. The arguments invite the reader to critically engage with many theoretical perspectives ranging from political economy to cultural studies that energize the field of research on Indian television. The book will interest all those looking to critically engage with television, media theory, and popular culture.

Buy it here OUP India

The Rumour of Calcutta

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David Sunderland Financing the Raj

Quite a start for this book, keen to know more (but need to find a copy I can afford):

Sunderland David Screen Shot 2014-04-12 at 09.58.23

Reviewed here:

> Citation: Sumit Guha. Review of Sunderland, David, _Financing the
> Raj: the City of London and Colonial India, 1858-1940_. H-Empire,
> H-Net Reviews. April, 2014.
> URL: https://www.h-net.org/reviews/showrev.php?id=41407

South Asian Television Studies articles free till Dec 2014

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Quid pro Quo (I will eventually explain all – (dm me if you can read a draft, on East India Co and value extraction)

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trinkets in The Rumour of Calcutta #trinketization

RumourScreen shot 2013-11-05 at 22.59.32Screen shot 2013-11-05 at 22.58.37

get it here: http://zedbooks.co.uk/node/13018

 

Daya Thussu new book

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Tipu Trinkets and speculative plunder

This passage from Maya Jasanoff’s book on colonial and East India Company collections, p 182 – it should be read alongside an earlier post on ‘Tipu’s slippers’, filched by Lady Clive and now in Powis Castle.

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Daftaripara

And the best student workplace inquiry of the year award goes to… http://www.daftaripara.org/

Screen shot 2013-10-10 at 22.09.47Click to enter.

The East India Company and all that Jazz

Charming, says SF, but I am still waiting for HRH to bring out some equally fetching opium ball presentation boxes, with matching ivory inlaid pipe set, for the Deptford Xmas commemorative exhibit.

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‘The Advocate’ – screening and discussion [Uni of Westminster 23.10.2013]

You are invited to the screening of ‘The Advocate’ and to participate in the discussions on the role of civil liberties movements in the context of development, resistance and repression in India and elsewhere.

‘The Advocate’ documentary film on civil liberties, social movements and state in Andhra Pradesh, India

Wednesday 23 October 2013, 6.30-9pm

Venue: ‘The Pavilion’ University of Westminster, Cavendish Building
115 New Cavendish Street, London, W1W 6UW

The documentary film ‘The Advocate’ focuses on the life and work of late G. Kannabiran, India’s foremost lawyer and champion of civil liberties. The film highlights state repression including extra-judicial killings, political prisoners and violations of civil liberties of the Maoist movement that forms the context for his work in the state of Andhra Pradesh in India. The context includes the socio-economic causes for the insurgency and its repression and the role of civil liberties movement in India in engaging the wider social issues. The documentary comes at a time of widespread state repression of popular movements in India including use of death penalties, rejection of clemency petitions, high numbers of political prisoners including women political prisoners, extra judicial killings, widespread use of torture, custodial rape, deployment of armed forces and lack of fair trials. The film highlights the context to the resistance and repression which, in most cases, lie in socio-economic deprivations and social polarisations. The film opens up the spaces for debate on the state of civil liberties in India, seen as the most populous democracy in the world, and more widely, the assumptions about human rights, civil liberties, economic polarisation and socio-economic deprivations more generally in other Third World countries.

Chaired by Prof Penny Green, International State Crime Initiative, Kings College London

Panelists include

Dr Radha D’Souza, University of Westminster, School of Law
Saleh Mamon, Campaign Against Criminalising Communities (CAMPACC)
John Hutnyk, Professor of Cultural Studies, Centre for Cultural Studies at Goldsmiths University of London

Organised by CAMPACC, Development & Conflict group, School of Law, University of Westminster; International State Crime Initiative; Haldane Society of Socialist Lawyers

THIS IS A FREE EVENT. ALL WELCOME!

For information & RSVP contact: CAMPACC: Estella Schmid e-mail: estella24@tiscali.co.uk
Tel 020 7586 5892 www.campacc.org.uk <http://www.campacc.org.uk>

Development and Conflict Group: R. Seenivasan – ramasas@westminster.ac.uk

Red Ant Dream 2:30 27.9.2013

Dear all

i would like to invite to the screening of Sanjay Kak’s new film “Red Ant Dream”
followed by a discussion with the filmmaker.

When: Friday 27th, 2.30pm
Where: NAB, LG01

https://www.facebook.com/events/413288558775627/

Please spread this information amongst your students.
Maybe this is just the right event at the end of a very busy induction week.

More information on the film can be found here:
Red Ant Dream – Teaser 2
Red Ant Dream – Forest Walk

http://www.redantdream.com

https://www.facebook.com/redantdreamdocumentary

Many thanks and all best wishes ! Nicole

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