For those of you who like your anthropologists in cryo, in an incubator (online ethnography anyone), or fighting off the mining industry – as already oft-mentioned on this blog (more links below), this little cherub should set you off with oohs and ahhs. As soon as you look closely at the picture though, it will be ahhhg and owwww. Very strange (thanks Rachel).
The description, by Sean O’neal, is stunningly good: not only is Avatar sex fucked up – ‘having magical ponytail-sex’ – but now the baby is too, as he points out its head-turning facility that will accompany you through those forlorn sleepless incubator nights.
I’d add that I guess the avatar technology could be adopted here too as it solves the problem of birth defects – just keep the kid in an incubator for life, and play with the avatar. In a rainforest enhanced with fairy lights, since no rainforest was rainforest enough.. etc etc..
Cameron is like a collector of fine art who sees himself as a connoisseur, and my function was less that of a dealer who brings rare objects to the collector, but rather that of a curator whose expertise provides the imprimatur of authenticity.
The lush primal world of Pandora and the exotic culture of the Na’vi revealed in the film include many of the basic elements of what used to be called “primitive” societies — animism, a coming-of-age ceremony and test of manhood, a religion based on a supreme (maternal) tree spirit. It is truly a 21st-century elegy to a lost world — as well as Cameron’s warning to our own.
Nancy Lutkehaus is professor of anthropology, gender studies and political science, and chair-elect for the Department of Anthropology at USC College.