Roshini Kempadoo 27.1.2011 Goldsmiths ‘Thursday Club’

RKempadooDE10.jpg 

THURSDAY CLUB 

27th January 2011

Roshini Kempadoo is a London based photographer and international media
artist. For the Thursday Club she will discuss Domino Effects a multimedia
interactive artwork and involves an inter-disciplinary approach toresearch and a creative outcome, involving HCI design, visual culture,
performance, sonic environments, postcolonial and global studies, andcreole theories.

See: http://www.roshinikempadoo.com

Recent writings:
Kempadoo, R. (2008) ‘Amendments: A fictional re-imagining of the Trinidad
archive.’ Journal of Media Practice, 9:2, pp. 87 – 99.http://www.intellectbooks.co.uk/journals.php?issn=14682753

Recent exhibitions:
Liminal: A Question of Position
Rivington Place, London
http://www.iniva.org/exhibitions_projects/2009/liminal/about_the_project
11th
March -25th April 2009

7th Encuentro: Staging Citizenship: Cultural Rights in the Americas
Hemispheric Institute of Performance and Politics
National University of Colombia
August 21-30, 2009
http://hemisphericinstitute.org/eng/index.html
http://docs.google.com/View?id=dcqnx7hc_0cbfdtpf2

Online portfolios
Represented by Autograph, A selection of photographs from a range of work
is available.
http://www.autograph-abp.co.uk/autograph_content.html

Open Frequency – Axis curated programme
Nominated by Mark Sealy, Director of Autograph, 2005.
http://www.axisweb.org/ofSARF.aspx?SELECTIONID=136
Biography

Roshini Kempadoo is a London based photographer, media artist, and Reader
in Media Practice at the School of Humanities and Social Sciences,
University of East London. Recent exhibitions include: Staging
Citizenship: Cultural Rights in the Americas (2009) 7th Encuentro, Museo
de Artes, National University of Colombia, Bogotá; Liminal: A question of
position (2009) Rivington Place, London; Art & Emancipation In Jamaica:
Isaac Mendes Belisario And His Worlds, (2007) Yale Center for British Art,
USA; and the retrospective exhibition Roshini Kempadoo work: 1990 – 2004,
(2004) Pitzhanger Manor and Gallery, London. Recent publications include:
‘Amendments: A fictional re-imagining of the Trinidad archive.’(2008)
Journal of Media Practice, 9:2; ‘Back Routes: historical articulation in
multimedia production,’ in Alan Grossman and Áine O’Brien (eds.) 2007
Projecting Migration: Transcultural Documentary Practice, Wallflower
Press, London; and ‘Digital media practice as critique: Roshini Kempadoo’s
installations Ghosting and endless prospects’ in Victoria Arana (ed.) 2007’Black’ British Aesthetics Today,Cambridge Scholars Publishing, Newcastle.

 

VENUE INFORMATION

Venue: 3/4, Ground floor, Ben Pimlott Building, Goldsmiths University of
London 

Cost: Free to all

Time: 18:00 – 20:00

Further information contact: j.jefferies[@]gold.ac.uk
Club convenor: Professor Janis Jefferies
Department: Computing (Digital Studios)

 

Both comments and trackbacks are currently closed.
Follow

Get every new post delivered to your Inbox.

Join 2,752 other followers

%d bloggers like this: