Wanted: funding to document the Institute that does not exist/has already existed for almost ten years – Clandestino (notes for a funding proposal):
- the research output is the Clandestino Institute itself, an ‘underground’ University of Sonic and Border Arts, a University that has no permanent presence, but can be understood in terms of documentation of experience as intangible heritage and intergenerational learning. A prospectus and associated materials.
- Archiving of the ephemeral – undertaking documentation and study of a cross-border sound event – the Clandestino Festival in Gothenburg – means exploring new ways to present its ethos etc., The festival itself is the output, but a variety of means to document and preserve the overall experience, as intangible heritage, will be collected.
- Sonic Heritage, in the context of preservation studies, what is Sonic Heritage and can Border Arts (as we explored in London, Berlin and Copenhagen – so for that matter not just sonic borders but also work that crosses borders in terms of audio-visual materials and performances) be considered as part of any Heritage programme (what special problems do we have when heritage is not part of a national project). This ‘output’ will be a position paper and archive defending this position, without positing or archiving – continually transformed and under erasure - a vanishing present. A virtual and verifiable sonic – cross border – performative and theatre ‘programme and policy’ document.
These are just notes for the Border, to cross the border, cross with borders, bored, boring, drilling, digging.
That is to say, looking forward to June 2011 Clandestino. Ideas welcome. (mark early June in your diary, head to Gothenburg. Summer, very long days, and, erm, hope for no rain this time please).